History
Originally built by the 9th Karmapa Wangchuk Dorje in 16th century, at the same time as Phodong Monastery and Ralang Monastery, Rumtek served as the main seat of the Karma Kagyu lineage in Sikkim for some time. But when the 16th Karmapa arrived in Sikkim in 1959, after fleeing Tibet, the monastery was in ruins. Despite being offered other sites, the Karmapa decided to rebuild Rumtek. To him, the site possessed many auspicious qualities and was surrounded by the most favorable attributes. For example, flowing streams, mountains behind, a snow range in front, and a river below. With the generosity and help of the Sikkim royal family and the Indian government, it was built by the 16th Karmapa as his main seat in exile.
After four years, construction of the monastery was completed. The sacred items and relics brought out from Tsurphu Monastery, the Karmapa's seat in Tibet, were installed. On Tibetan New Year's Day (Losar) in 1966 the 16th Karmapa officially inaugurated the new seat called, "The Dharmachakra Centre, a place of erudition and spiritual accomplishment, the seat of the glorious Karmapa."
The monastery is currently the largest in Sikkim. It is home to the community of monks and where they perform the rituals and practices of the Karma Kagyu lineage. A Golden Stupa contains the relics of the 16th Karmapa. Opposite that building is a college, Karma Shri Nalanda Institute for Higher Buddhist Studies.
Rumtek is located 24 km from Gangtok, the capital of the Sikkim, at an altitude of about 1500 m.
Read more about this topic: Rumtek Monastery
Famous quotes containing the word history:
“History has neither the venerableness of antiquity, nor the freshness of the modern. It does as if it would go to the beginning of things, which natural history might with reason assume to do; but consider the Universal History, and then tell us,—when did burdock and plantain sprout first?”
—Henry David Thoreau (1817–1862)
“Anyone who is practically acquainted with scientific work is aware that those who refuse to go beyond fact rarely get as far as fact; and anyone who has studied the history of science knows that almost every great step therein has been made by the “anticipation of Nature.””
—Thomas Henry Huxley (1825–95)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)