Royal Opera House (Mumbai) - Structure

Structure

The Opera House built in baroque design featuring a blend of European and Indian architectural style was conceived in 1908 by Maurice Bandmann, an entertainer from Kolkata and Jehangir Framji Karaka, head of a firm of coal brokers. It was built with exquisite Italian marble on a leased land close to the Kennedy and Sandhurst bridges. Although the work was completed in 1912, several additions were made until 1915. The pediment figure at the pinnacle was substituted with three cherubs. A pair of unique crystal chandeliers, called the ‘Sans Souci’, donated by the David Sassoon family, which was earlier located in the Sassoon mansion, was shifted to the foyer of the opera house. At the main entrance, the dome is segmented into eight different parts "as a tribute to poets, dramatists, novelists, literati and people from art and culture." The interiors of the opera house as it existed in the past were provided with orchestra stalls with cosy cane chairs. 26 rows of boxes with couches were provided behind the stalls. The seating enabled a clear view of the stage to all the people seated in the stalls and in the Dress Circle. The acoustics were planned by providing the ceiling in a manner that permitted distinct audibility to audience seated in the gallery to hear every word or song from the stage. The entrance was originally designed with a frontage for carriages to drive in.

Read more about this topic:  Royal Opera House (Mumbai)

Famous quotes containing the word structure:

    The syntactic component of a grammar must specify, for each sentence, a deep structure that determines its semantic interpretation and a surface structure that determines its phonetic interpretation.
    Noam Chomsky (b. 1928)

    ... the structure of our public morality crashed to earth. Above its grave a tombstone read, “Be tolerant—even of evil.” Logically the next step would be to say to our commonwealth’s criminals, “I disagree that it’s all right to rob and murder, but naturally I respect your opinion.” Tolerance is only complacence when it makes no distinction between right and wrong.
    Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 2, ch. 2 (1962)

    Women over fifty already form one of the largest groups in the population structure of the western world. As long as they like themselves, they will not be an oppressed minority. In order to like themselves they must reject trivialization by others of who and what they are. A grown woman should not have to masquerade as a girl in order to remain in the land of the living.
    Germaine Greer (b. 1939)