Royal Ontario Museum - Galleries

Galleries

Originally, there were five major galleries at the ROM, one each for the fields of archaeology, geology, mineralogy, paleontology, and zoology. In general, the museum pieces were labelled and arranged in a static fashion that had changed little since Edwardian times. For example, the insects’ exhibit that lasted up until the 1970s, housed a variety of specimens from different parts of the world in long rows of glass cases. Insects of the same genus were pinned to the inside of the cabinet, with only the species name and location found as a description.

By the 1960s, more interpretive displays were ushered in, among the first being the original dinosaur gallery, established in the mid-1960s. Dinosaur fossils were now staged in dynamic poses against backdrop paintings and models of contemporaneous landscapes and vegetation. The displays became more descriptive and interpretive, sometimes, as with the extinction of the woolly mammoth, offering several different leading theories on the issue for the visitor to ponder. This trend continued, and up until the present time the galleries became less staid, and more dynamic or descriptive and interpretive. This trend arguably came to a culmination in the 1980s with the opening of The Bat Cave, where a sound system, strobe lights and gentle puffs of air attempts to re-create the experience of walking through a cave as a colony of bats fly out.

The original galleries were simply named after their subject material, but in more recent years, individual galleries have been named in honour of sponsors who have donated significant funds or collections to the institution. There are now two main categories of galleries present in the ROM: the Natural History Galleries and the World Culture Galleries.

Read more about this topic:  Royal Ontario Museum

Famous quotes containing the word galleries:

    I have got enough of the old masters! Brown says he has “shook” them, and I think I will shake them, too. You wander through a mile of picture galleries and stare stupidly at ghastly old nightmares done in lampblack and lightning, and listen to the ecstatic encomiums of the guides, and try to get up some enthusiasm, but it won’t come.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)