Royal Academy of Dramatic Art

The Royal Academy of Dramatic Art (RADA) is a drama school located in London, United Kingdom. It is one of the oldest drama schools in the United Kingdom, having been founded in 1904, and is generally regarded as one of the most prestigious drama schools in the world.

RADA is an affiliate school of the Conservatoire for Dance and Drama and its higher education awards are validated by King's College London. It is based in the Bloomsbury area of Central London, close to the Senate House complex of the University of London.

The current Director of the Academy is Edward Kemp. The President is Lord Richard Attenborough, the Chairman is Sir Stephen Waley-Cohen and the Vice-Chairman is Alan Rickman.

Read more about Royal Academy Of Dramatic Art:  Campus, Admissions, Associate Members, Notable Alumni

Famous quotes containing the words dramatic art, royal, academy, dramatic and/or art:

    The dramatic art would appear to be rather a feminine art; it contains in itself all the artifices which belong to the province of woman: the desire to please, facility to express emotions and hide defects, and the faculty of assimilation which is the real essence of woman.
    Sarah Bernhardt (1845–1923)

    Because humans are not alone in exhibiting such behavior—bees stockpile royal jelly, birds feather their nests, mice shred paper—it’s possible that a pregnant woman who scrubs her house from floor to ceiling [just before her baby is born] is responding to a biological imperative . . . . Of course there are those who believe that . . . the burst of energy that propels a pregnant woman to clean her house is a perfectly natural response to their mother’s impending visit.
    Mary Arrigo (20th century)

    I realized early on that the academy and the literary world alike—and I don’t think there really is a distinction between the two—are always dominated by fools, knaves, charlatans and bureaucrats. And that being the case, any human being, male or female, of whatever status, who has a voice of her or his own, is not going to be liked.
    Harold Bloom (b. 1930)

    “The unities, sir,’ he said, “are a completeness—a kind of universal dovetailedness with regard to place and time—a sort of general oneness, if I may be allowed to use so strong an expression. I take those to be the dramatic unities, so far as I have been enabled to bestow attention upon them, and I have read much upon the subject, and thought much.”
    Charles Dickens (1812–1870)

    Study me then, you who shall lovers be
    At the next world, that is, at the next spring:
    For I am every dead thing,
    In whom love wrought new alchemy.
    For his art did express
    A quintessence even from nothingness,
    From dull privations, and lean emptiness:
    He ruined me, and I am re-begot
    Of absence, darkness, death: things which are not.
    John Donne (1572–1631)