The Royal Academy of Dramatic Art (RADA) is a drama school located in London, United Kingdom. It is one of the oldest drama schools in the United Kingdom, having been founded in 1904, and is generally regarded as one of the most prestigious drama schools in the world.
RADA is an affiliate school of the Conservatoire for Dance and Drama and its higher education awards are validated by King's College London. It is based in the Bloomsbury area of Central London, close to the Senate House complex of the University of London.
The current Director of the Academy is Edward Kemp. The President is Lord Richard Attenborough, the Chairman is Sir Stephen Waley-Cohen and the Vice-Chairman is Alan Rickman.
Read more about Royal Academy Of Dramatic Art: Campus, Admissions, Associate Members, Notable Alumni
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“The dramatic art would appear to be rather a feminine art; it contains in itself all the artifices which belong to the province of woman: the desire to please, facility to express emotions and hide defects, and the faculty of assimilation which is the real essence of woman.”
—Sarah Bernhardt (1845–1923)
“Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
—Jean Genet (1910–1986)
“The academy is not paradise. But learning is a place where paradise can be created.”
—bell hooks (b. c. 1955)
“It is open to question whether the highly individualized characters we find in Shakespeare are perhaps not detrimental to the dramatic effect. The human being disappears to the same degree as the individual emerges.”
—Franz Grillparzer (1791–1872)
“Our art is the finest, the noblest, the most suggestive, for it is the synthesis of all the arts. Sculpture, painting, literature, elocution, architecture, and music are its natural tools. But while it needs all of those artistic manifestations in order to be its whole self, it asks of its priest or priestess one indispensable virtue: “faith.””
—Sarah Bernhardt (1845–1923)