Rousham House - History

History

In the 1630s Sir Robert Dormer bought the manor of Rousham. He immediately began construction of the present house but work was halted by the start of the English Civil War. The Dormers were a Royalist family and the house was attacked by Parliamentary soldiers who stripped the lead from the newly completed roofs.

In 1649 the estate was inherited by Robert Dormer's son, also Robert. He left the house much as his father had created it, only repairing the damage of the Civil War. However, he did more to restore the family fortunes by marrying twice, each time to an heiress. His second wife was the daughter of Sir Charles Cottrell, a high-ranking courtier of Charles II.

Colonel Robert Dormer-Cottrell, the grandson of the house's builder, inherited Rousham in 1719 and began the huge transformation of the gardens to its current appearance. Initially he employed Charles Bridgeman to lay out the gardens in the new and more natural style that was becoming popular. Bridgeman's layout of the garden was completed circa 1737. Rousham was then inherited by the Colonel's brother, General James Dormer-Cottrell. He called in William Kent to further enhance and develop the garden that Bridgeman created. This Kent did with considerable success over the next four years. In 1741 Sir Clement Cotterell inherited the estate.

At this time Kent also embellished the house itself, with crenellations and two wings containing a drawing room and a "delightful" library, according to Horace Walpole who said of Rousham in 1760 "it reinstated Kent with me; he has no where shewn so much taste". The interiors were altered a century later but the hall, the principal room of the house, has survived alteration by successive generations unchanged, and remains as completed in the 17th century. Kent's exterior work is today almost as built, but in 1876 the original octagonal paned glazing was replaced with innovative large sheets of plate glass, during a heavy-handed restoration of the house by the architect James Piers St Aubyn. The house contains fine collections of Jacobean and 18th-century furniture, paintings and statuary, all displayed in a domestic setting.

The gardens, created by Bridgeman and then Kent, overlook a curve of the River Cherwell. Bridgeman had laid out the layout of the garden, with meandering walks through the woods, and pools of varying degrees of formality. Kent's theme was to create and transform the natural landscape created by Bridgeman into an Augustan landscape to recall the glories and atmosphere of ancient Rome. Thus the Roman Forum was to be recreated in the verdant English countryside. "The garden is Daphne in little," Walpole told George Montagu: "the sweetest little groves, streams, glades, porticoes, cascades, and river, imaginable; all the scenes are prefectly classic".