Rosalie Sorrels - Song Catching

Song Catching

There was a strong tradition in both the Stringfellow and Kelly families to celebrate the written and spoken word. The families encouraged reading and learning for their children and this was passed to the succeeding generations. Writing; whether sermons, magazine articles, poems or Personal journaling, were all activities Rosalie experienced in her youth. She followed in the same path of expressing herself in word by journaling and writing poetry and prose.

Songs and music were a natural extension of this interest in words and her love of music began early in life she listened to her father, Walter Pendleton Stringfellow, sing. She had access to a scrapbook of folk songs collected by her Grandmother, Rosalie Cope Stringfellow. She began her music career collecting folksongs and performing them, first with her husband Jim in the late 1950s, then later on her own. It was during this time that the Smithsonian Institution's Center for Folklife and Cultural Heritage recorded Rosalie and Jim performing her collection of traditional songs. Many of these have been released by Smithsonian Folkways Recordings in various compilation albums throughout the last fifty years.

Sorrels was a regular in the Utah folk scene in the late 1950s and early 1960s when she and her husband taught folk guitar classes at the University of Utah. She participated in workshops and folk festivals in the area, such as the Utah Folklore Workshop and Festival (1959). In this way she met other folklorists and performers at "song swaps"; as well as formal sessions. Sorrels also was a concert promoter and brought Joan Baez to Salt Lake City the first time in 1963.

Read more about this topic:  Rosalie Sorrels

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