Early Recordings and Performance Career
In 1963 Rosalie began a four decade relationship with Manny Greenhill and Folklore Productions. She performed with Manny's son, Mitch at the 1966 Newport Folk Festival and produced an album in 1964 for Folk-Legacy Records entitled If I Could Be the Rain. This is her first album which included her original songs, as previous recordings contained her renditions of traditional songs she had collected. She and her children lived for a time with Lena Spencer in Saratoga Springs, New York where she performed at Caffè Lena. She continued working on her craft, and was one of the performers at the 1970 Isle of Wight Festival. Sorrels maintained an active performance schedule throughout the 1970s, 1980s and 1990s, often touring solo or with close friend Utah Phillips. By the mid-point of the new century's first decade, health considerations were slowing her pace. By the end of the decade, she had mostly retired to her home in Idaho, maintaining an interest and presence in the region's cultural life.
Read more about this topic: Rosalie Sorrels
Famous quotes containing the words early, recordings, performance and/or career:
“Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldlings eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friendsthe few”
—John Greenleaf Whittier (18071892)
“All radio is dead. Which means that these tape recordings Im making are for the sake of future history. If any.”
—Barré Lyndon (18961972)
“True balance requires assigning realistic performance expectations to each of our roles. True balance requires us to acknowledge that our performance in some areas is more important than in others. True balance demands that we determine what accomplishments give us honest satisfaction as well as what failures cause us intolerable grief.”
—Melinda M. Marshall (20th century)
“A black boxers career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)