Courtroom Art
In 1966, at the height of the Haight Ashbury counter-culture era, Ritz moved with her family to the San Francisco Bay Area. Ritz's sketches of the street scenes were published in the City Magazine and the San Francisco Examiner. Her work in Washington DC brought her to the attention of the local public television station KQED. From there, she began a career covering trials for the local CBS outlet, (KPIX) and for the Associated Press. This included the Patty Hearst trial, the Sirhan Sirhan trial, the Charles Manson trial, the trials of the Black Panthers, including Huey Newton, Eldridge Cleaver and David Hilliard, the trials of Angela Davis and Ruchell Magee, and the trials of the Soledad Brothers, the San Quentin Six, Mass Murderer Juan Corona, John Linley Frazier, the Presidio Mutiny Court-Martial at Fort Ord, the Billy Dean Smith Court-Martial, Inez Garcia (second trial), Bill and Emily Harris (Symbionese Liberation Army), Russell Little and Joseph Remiro (Murder of Marcus Foster/Symbionese Liberation Army), Wendy Yoshimura, Camarillo State Hospital Grand Jury Hearings, the Hell's Angels, Alioto-Look Magazine Libel Trial, Alioto Conflict of Interest Trial, the Bonanno Brothers, Stephanie Kline, Larry Layton, Dan White, San Francisco Proposition Hearings, Sara Jane Moore, and Daniel Ellsberg and Anthony Russo/Pentagon Papers.
While covering these trials, Ritz worked alongside several renowned journalists, including legendary New York Daily News reporter Theo Wilson, Associated Press senior trial reporter and special correspondent, Linda Deutsch, and Associated Press chief United Nations correspondent, Edie Lederer.
Ritz continued to cover trials through the early 1980s. Then, in the 1990s, the Associated Press brought Ritz out of retirement to cover the O.J. Simpson civil trial.
Read more about this topic: Rosalie Ritz
Famous quotes containing the words courtroom and/or art:
“They had their fortunes to make, everything to gain and nothing to lose. They were schooled in and anxious for debates; forcible in argument; reckless and brilliant. For them it was but a short and natural step from swaying juries in courtroom battles over the ownership of land to swaying constituents in contests for office. For the lawyer, oratory was the escalator that could lift a political candidate to higher ground.”
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)
“The English public, as a mass, takes no interest in a work of art until it is told that the work in question is immoral.”
—Oscar Wilde (1854–1900)