Rooster Teeth Productions - Early Company History

Early Company History

While attending the University of Texas at Austin, Burnie Burns and Matt Hullum collaborated with actor Joel Heyman on a 1997 independent film called The Schedule. The film helped Hullum and Heyman to find work in Los Angeles, California, but otherwise had limited success. Working for a local company named Telenetwork, Burns later met Geoff Ramsey (then named "Geoff Fink"), Gustavo Sorola, and Jason SaldaƄa, and the four formed drunkgamers.com, a website where the four reviewed various video games while drunk. According to Ramsey, the group tried to receive free games to review, but "incurred the wrath" of several game developers in doing so.

One of the non-gameplay videos that the drunkgamers crew created during this time was a live-action parody of the Apple Switch ad campaign. This video featured Sorola as the main actor, used Peter Tchaikovsky's "Dance of the Sugar Plum Fairy" as background music, and focused on the lack of games available for the Apple Macintosh computer.

Gus Sorola and Burnie Burns said that the name change from 'Drunk Tank Podcast' to 'Rooster Teeth Podcast' was for the same reason that 'Drunk Gamers' was changed to 'Rooster Teeth'. They explained that they realized nobody would give games or sponsor something with 'drunk' in the title "because it was so unprofessional."

Read more about this topic:  Rooster Teeth Productions

Famous quotes containing the words early, company and/or history:

    It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.
    —Gerald Early (20th century)

    Some fluctuating notions concerning repentance, virtue, honor, morality ... hovered around Lady Dellwyn’s thoughts but were too wavering to bring her to any fixed determination. She became a constant attendant from one public place to another, where she met with many mortifications. But yet even these were not quite so dreadful to her as to retire and be subjected to her own company alone.
    Sarah Fielding (1710–1768)

    No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.
    Gertrude Stein (1874–1946)