Roof Pitch - Description

Description

The roof's pitch is its vertical rise divided by its horizontal span (or "run"), what is called "slope" in geometry and stair construction, or the tangent function in trigonometry. It is typically expressed with the rise first and run second, with the run denominated by the number 12, giving a ratio of how many inches of incline there is to each foot of run. For example, 3:12, 4:12, 5:12, and so on.

Convention is to use whole numbers when even (e.g. "three in twelve") or the nearest single or two-digit fraction when not (e.g. either "five and a quarter in twelve" or "five point two-five in twelve", each expressed numerically as 5.25:12).

Definitions vary on when a roof is considered pitched. In degrees, a range between 10° (2 in 12) and 15° (3 in 12) is common.

The primary purpose of pitching a roof is to redirect water and snow. Thus, pitch is typically greater in areas of high rain or snowfall. The steep roof of the tropical Papua New Guinea longhouse, for example, sweeps almost to the ground. The high, steeply-pitched gabled roofs of northern Europe are typical in regions of heavy snowfall. In some areas building codes require a minimum slope. Buffalo, New York and Montreal, Quebec, Canada, specify 6 in 12, a pitch of approximately 26.6 degrees.

Carpenters frame rafters on an angle to "pitch" a roof. Gable and other multi-pitched roofs allow for lower primary structures with a corresponding conservation of exterior framing and sheathing materials.

Read more about this topic:  Roof Pitch

Famous quotes containing the word description:

    Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.
    Paul Tillich (1886–1965)

    The great object in life is Sensation—to feel that we exist, even though in pain; it is this “craving void” which drives us to gaming, to battle, to travel, to intemperate but keenly felt pursuits of every description whose principal attraction is the agitation inseparable from their accomplishment.
    George Gordon Noel Byron (1788–1824)

    God damnit, why must all those journalists be such sticklers for detail? Why, they’d hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.
    Lyndon Baines Johnson (1908–1973)