Work
Firbank published his first story, "Odette d'Antrevernes", in 1905, before going up to Cambridge. Firbank then produced a series of novels, from The Artificial Princess (written in 1915, published posthumously in 1934) and Vainglory (1915, his longest work) to Concerning the Eccentricities of Cardinal Pirelli (1926, also posthumous).
Inclinations (1916) is set mainly in Greece, where the fifteen-year-old Mabel Collins is travelling with her chaperone, Miss O'Brookomore. Mabel elopes with an Italian conte, but the plot is of minor importance and the interest, as with all Firbank's work, lies in the dialogue. His next novel Caprice followed in 1917.
Valmouth (1918) is based on the lives of various people in a health resort on the West Coast of England; most of the inhabitants are centenarians, and some are older ("the last time I went to the play...was with Charles the Second and Louise de Querouaille, to see Betterton play Shylock.") The inconsequential plot is concerned with the attempts of two elderly ladies, Mrs Hurstpierpoint and Mrs Thoroughfare, to marry off the heir to Hare-Hatch House, Captain Dick Thoroughfare. Captain Thoroughfare, who is engaged to a black woman, Niri-Esther, is loved frantically by Thetis Tooke, a farmer's daughter, but prefers his 'chum', Jack Whorwood, to both of them. Meanwhile Mrs Yajnavalkya, a black masseuse, manages an alliance between the centenarian Lady Parvula de Panzoust and David Tooke, Thetis's brother. A musical comedy of 1958 by Sandy Wilson gave the novel some popularity in the 1960s. It has been revived several times and recorded on CD.
"Santal" (1921) describes an Arab boy's search for God.
In The Flower Beneath The Foot (1923), the setting is an imaginary country somewhere in the Balkans. The characters include the King and Queen, sundry high-born ladies about the Court, and the usual attendant chorus of priests and nuns.
Sorrow in Sunlight (1924), renamed Prancing Nigger at the suggestion of the American publisher but first published in Britain under the author's original title, was especially successful in America. It is set in a Caribbean republic (compounded of Cuba and Haiti). A socially ambitious black family move from their rural home to the capital, and the story is concerned with their attempts, which prove mainly abortive, to 'get into society'.
Concerning the Eccentricities of Cardinal Pirelli (1926) begins with the Cardinal christening a dog in his cathedral ('And thus being cleansed and purified, I do call thee "Crack"!') and ends with His Eminence dying of a heart attack while chasing, naked, a choirboy around the aisles.
Firbank's play The Princess Zoubaroff (1920) has been compared to William Congreve, but is rarely produced. Dame Edith Evans, perhaps the greatest British actress of her time, played the title part in a radio production in 1964. The dialogue is highly characteristic: for example, Princess Zoubaroff says: "I am always disappointed with mountains. There are no mountains in the world as high as I would wish... They irritate me invariably. I should like to shake Switzerland."
Firbank's Complete Short Stories were published in a single volume in 1990 edited by Steven Moore, and his Complete Plays in 1991 in a volume containing The Princess Zoubaroff, "The Mauve Tower" and "A Disciple from the Country".
Ronald Firbank left among his manuscripts the first few characteristic chapters of a novel set in New York, The New Rythum (sic), published in 1962 after a sale of many of his manuscripts and letters.
Read more about this topic: Ronald Firbank
Famous quotes containing the word work:
“What is history? Its beginning is that of the centuries of systematic work devoted to the solution of the enigma of death, so that death itself may eventually be overcome. That is why people write symphonies, and why they discover mathematical infinity and electromagnetic waves.”
—Boris Pasternak (1890–1960)
“All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt’s for work be shod,”
—John Greenleaf Whittier (1807–1892)
“A perfect personality ... is only possible in a state of society where man is free to choose the mode of work, the conditions of work, and the freedom to work. One to whom the making of a table, the building of a house, or the tilling of the soil, is what the painting is to the artist and the discovery to the scientist,—the result of inspiration, of intense longing, and deep interest in work as a creative force.”
—Emma Goldman (1869–1940)