Music
Ron and Fez have long used eclectic music during their show's opening, closing and rejoiners from commercial breaks. For many years their closing song was "Vertigogo" by Combustible Edison featured in the movie Four Rooms, which was changed to "Satellite of Love" by Lou Reed. During their WNEW days, the opening music bed was "Oddities" by Insane Clown Posse, and also "Fired" by Ben Folds. When the show was on terrestrial WFNY in 2007, "Oddities" made a comeback, as well as other recognizable music beds from the WNEW era. The closing music of their FM show was the "Theme from the Last Waltz" by The Band.
The theme music in 2005 received a lot of attention from listeners who believed that Ron and Fez might leave WJFK for satellite radio. Some songs, like the January 2005 opening with the J Geils Band Crusin For A Love (with its lyric "I'm back on Broadway") turned out to be prophetic. Using various versions of I Shall Be Released in early summer 2005 was a clear sign that they wanted out of their contract. On that final DC broadcast, they also played We Want The Airwaves, Please Don't Talk About Me When I'm Gone, Radio, Radio, So Long Baby Goodbye, and Satellite of Love -- their last song played on WJFK.
The show opens, typically, with "North American Scum" by LCD Soundsystem.
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Famous quotes containing the word music:
“Orpheus with his lute made trees
And the mountain tops that freeze
Bow themselves when he did sing.
To his music plants and flowers
Ever sprung, as sun and showers
There had made a lasting spring.”
—William Shakespeare (1564–1616)
“It is hard to describe the thrill of creative joy which the artist feels when the conviction seizes her that at last she has caught the very soul of the character she wishes to portray, in the music and action which reveal it.”
—Maria Jeritza (1887–1982)
“The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of another drummer.”
—Hubert H. Humphrey (1911–1978)