Structure
List of acts, scenes and musical numbers.
| Scene | No. | English title | Russian title (Original title) | Tempo indication | Notes |
|---|---|---|---|---|---|
| Act 1 | |||||
| 1 | Introduction | Вступление | Andante assai | ||
| Scene 1 | 2 | Romeo | Ромео | Andante | |
| 3 | The Street Awakens | Улица просыпается | Allegretto | ||
| 4 | Morning Dance | Утренний танец | Allegro | ||
| 5 | The Quarrel | Ссора | Allegro brusco | ||
| 6 | The Fight | Бой | Presto | ||
| 7 | The Prince Gives His Order | Приказ герцога | Andante | a.k.a. The Duke's Command | |
| 8 | Interlude | Интерлюдия | Andante pomposo (L'istesso tempo) | ||
| Scene 2 | 9 | Preparing for the Ball (Juliet and the Nurse) | Приготовление к балу (Джульетта и Кормилица) | Andante assai. Scherzando | a.k.a. At the Capulets' (Preparations for the Ball) |
| 10 | Juliet as a Young Girl | Джульетта-Девочка | Vivace | a.k.a. The Young Juliet | |
| 11 | Arrival of the Guests (Minuet) | Съезд гостей (Менуэт) | Assai moderato | ||
| 12 | Masks (Romeo, Mercutio and Benvolio in Masks) | Маски (Ромео, Меркуцио и Бенволио в масках) | Andante marciale | ||
| 13 | Dance of the Knights | Танец рыцарей | Allegro pesante | a.k.a. Montagues and Capulets | |
| 14 | Juliet's Variation | Вариация Джульетты | Moderato (quasi Allegretto) | ||
| 15 | Mercutio | Меркуцио | Allegro giocoso | ||
| 16 | Madrigal | Мадригал | Andante tenero | ||
| 17 | Tybalt Recognizes Romeo | Тибальд узнает Ромео | Allegro | ||
| 18 | Gavotte (Departure of the Guests) | Гавот (Разъезд гостей) | Allegro | Gavotte (movement III) from "Classical" Symphony, Op. 25 | |
| 19 | Balcony Scene | Сцена у балкона | Larghetto | ||
| 20 | Romeo's Variation | Вариация Ромео | Allegretto amoroso | ||
| 21 | Love Dance | Любовный танец | Andante | ||
| Act 2 | |||||
| Scene 3 | 22 | Folk Dance | Народный танец | Allegro giocoso | |
| 23 | Romeo and Mercutio | Ромео и Меркуцио | Andante tenero | ||
| 24 | Dance of the Five Couples | Танец пяти пар | Vivo | ||
| 25 | Dance with Mandolins | Танец с мандолинами | Vivace | ||
| 26 | The Nurse | Кормилица | Adagio scherzoso | ||
| 27 | The Nurse Gives Romeo the Note from Juliet | Кормилица передает Ромео записку от Джульетты | Vivace | a.k.a. The Nurse and Romeo | |
| Scene 4 | 28 | Romeo at Friar Laurence's | Ромео у патера Лоренцо | Andante espressivo | |
| 29 | Juliet at Friar Laurence's | Джульетта у патера Лоренцо | Lento | ||
| Scene 5 | 30 | The People Continue to Make Merry | Народное веселье продолжается | Vivo | a.k.a. Public Merrymaking |
| 31 | The Folk Dance Again | Снова народный танец | Allegro giocoso | a.k.a. Further Public Festivities (Снова народный праздник) | |
| 32 | Tybalt Meets Mercutio | Встреча Тибальда с Меркуцио | Moderato | a.k.a. Meeting of Tybalt and Mercutio | |
| 33 | Tybalt and Mercutio Fight | Тибалд бьётся с Меркуцио | Precipitato | a.k.a. The Duel | |
| 34 | Death of Mercutio | Меркуцио умирает | Moderato | ||
| 35 | Romeo Decides to Avenge Mercutio's Death | Ромео решает мстить за смерть Меркуцио | Andante. Animato | ||
| 36 | Finale of Act II | Финал второго действия | Adagio dramatico | ||
| Act 3 | |||||
| 37 | Introduction | Вступление | Andante | reprise of No. 7 | |
| Scene 6 | 38 | Romeo and Juliet (Juliet's bedroom) | Ромео и Джульетта (Спальня Джульетты) | Lento | |
| 39 | Farewell before Parting | Прощание перед разлукой | Andante | a.k.a. Romeo Bids Juliet Farewell, or The Last Farewell | |
| 40 | The Nurse | Кормилица | Andante assai | ||
| 41 | Juliet Refuses to Marry Paris | Джульетта отказывается выйти за Париса | Vivace | ||
| 42 | Juliet Alone | Джульетта одна | Adagio | ||
| 43 | Interlude | Интерлюдия | Adagio | ||
| Scene 7 | 44 | At Friar Laurence's | У Лоренцо | Andante | a.k.a. At Friar Laurence's Cell |
| 45 | Interlude | Интерлюдия | L'istesso tempo | ||
| Scene 8 | 46 | Again in Juliet's Bedroom | Снова у Джульетты | Moderato tranquillo | |
| 47 | Juliet Alone | Джульетта одна | Andante | ||
| 48 | Morning Serenade | Утренняя серенада | Andante giocoso | a.k.a. Aubade | |
| 49 | Dance of the Girls with Lilies | Танец девушек с лилиями | Andante con eleganza | ||
| 50 | At Juliet's Bedside | У постели Джульетты | Andante assai | ||
| Act 4: Epilogue | |||||
| Scene 9 | 51 | Juliet's Funeral | Похороны Джульетты | Adagio funebre | |
| 52 | Death of Juliet | Смерть Джульетты | Adagio (meno mosso del tempo precendente) | ||
Read more about this topic: Romeo And Juliet (Prokofiev)
Famous quotes containing the word structure:
“In the extent and proper structure of the Union, therefore, we behold a republican remedy for the diseases most incident to republican government.”
—James Madison (1751–1836)
“Vashtar: So it’s finished. A structure to house one man and the greatest treasure of all time.
Senta: And a structure that will last for all time.
Vashtar: Only history will tell that.
Senta: Sire, will he not be remembered?
Vashtar: Yes, he’ll be remembered. The pyramid’ll keep his memory alive. In that he built better than he knew.”
—William Faulkner (1897–1962)
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (1886–1965)