Prose
During the Romantic period, there was a great interest in literary fiction, in particular, adventure and mystery novels; however, Spanish output of this type was scanty, limited to translations of foreign novels. More than a thousand translations circulated in Spain before 1850, in the historic, romantic, chivalrous, and melodramatic genres, representing writers such as Alexandre Dumas, père, Chateaubriand, Walter Scott, and Victor Hugo. Spanish prose essentially consisted of the novel, scientific or scholarly prose, journalism, and the intense development of costumbrismo.
During the first quarter of the century, four distinct types of novels developed: moral and educative novels, romances, horror stories, and anticlerical novels. The most purely Romantic of these is the anticlerical novel. However, the Romantic influence would shape, principally, the historical novel.
Read more about this topic: Romanticism In Spanish Literature
Famous quotes containing the word prose:
“... the structure of a page of good prose is, analyzed logically, not something frozen but the vibrating of a bridge, which changes with every step one takes on it.”
—Robert Musil (1880–1942)
“Poetry is the language in which man explores his own amazement ... says heaven and earth in one word ... speaks of himself and his predicament as though for the first time. It has the virtue of being able to say twice as much as prose in half the time, and the drawback, if you do not give it your full attention, of seeming to say half as much in twice the time.”
—Christopher Fry (b. 1907)