Poetry
The romantic poets created their works in the midst of a fury of emotions, forming verses out of whatever they felt or thought. Critics have found in their works a lyricism of great power, but at the same time vulgar, uninspiring verse.
Some of the characteristics of Romantic poetry are:
- The I, the inner self. José de Espronceda, setting down in his Canto a Teresa a painful confession of love and disappointment, managed with great skill to translate his feelings into poetry.
- Passionate love, with its sudden and total surrenders and quick abandonments. The agony and the ecstasy.
- Inspiration by historical and mythical subjects.
- Religion, though frequently it is through a revolt against consequent compassion, even to the extent of exalting the devil.
- Social vindication, value placed on marginalized people, such as beggars
- Nature, displayed in all its manifestations and variations. Romantics often gave their poems mysterious settings, such as cemeteries, storms, the raging sea, etc.
- Satire, frequently associated with political and literary events.
It was also a sign that a new spirit was inspiring the creation of verse. By contrast with the monotonous neoclassic repetition of songs and lyrics, poets proclaimed their right to use all existing variations on meter, to adapt those from other languages, and to innovate where necessary. In this respect, as in others, Romanticism prefigured the modernist audacities of the end of the century.
Read more about this topic: Romanticism In Spanish Literature
Famous quotes containing the word poetry:
“The author’s conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.”
—Ezra Pound (1885–1972)
“Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called “silent poetry,” and poetry “speaking painting.” The laws of each art are convertible into the laws of every other.”
—Ralph Waldo Emerson (1803–1882)
“The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?”
—Ralph Waldo Emerson (1803–1882)