Romantic Epic Films
An epic film is an epic genre that emphasizes human drama on a grand scale. Epics are more ambitious in scope than other film genres, and their ambitious nature helps to differentiate them from similar genres such as the period piece or adventure film. Epic historical films often take a historical or imagined event, or a mythic, legendary, or heroic figure and add an extravagant, spectacular setting and lavish costumes, accompanied by a sweeping musical score, and an ensemble cast of bankable stars, making them among the most expensive of films to produce. Some of the most common subjects of epics are royalty, superheroes, great military leaders, or leading personalities or figures from various periods in world history. Epics tend to focus on events that will affect the lives of many people, such as cataclysmic events, natural disasters, war, or political upheaval.
Epic films are expensive and lavish productions because they generally use on-location filming, authentic period costumes, action scenes on a massive scale and large casts of characters. Biographical films are often less lavish versions of this genre.
Sometimes referred to as costume dramas, they depict the world of a period setting, often incorporating historical pageantry, specially designed costuming and wardrobes, exotic locales, spectacle, lavish decor and a sweeping visual style. They often transport viewers to other worlds or eras, such as classical antiquity, biblical settings, the Middle Ages, the Victorian era, the American Frontier, or the Gilded Age. Films involving modern battle sequences (war films) are also common settings in the epic film genre, as are westerns, and science fiction films set in space, on earth or other planets, with science fiction-oriented battle scenes on a massive scale or with a futuristic backdrop.
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Famous quotes containing the words romantic, epic and/or films:
“The importance of a lost romantic vision should not be underestimated. In such a vision is power as well as joy. In it is meaning. Life is flat, barren, zestless, if one can find ones lost vision nowhere.”
—Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 1, ch. 19 (1962)
“In an age robbed of religious symbols, going to the shops replaces going to the church.... We have a free choice, but at a price. We can win experience, but never achieve innocence. Marx knew that the epic activities of the modern world involve not lance and sword but dry goods.”
—Stephen Bayley (b. 1951)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesnt.”
—Jean-Luc Godard (b. 1930)