Romanesque Art - Sculpture - Architectural Sculpture

Architectural Sculpture

With the fall of the Roman Empire, the tradition of carving large works in stone and sculpting figures in bronze died out, as it effectively did (for religious reasons) in the Byzantine world. Some life-size sculpture was evidently done in stucco or plaster, but surviving examples are understandably rare. The best-known surviving large sculptural work of Proto-Romanesque Europe is the life-size wooden Crucifix commissioned by Archbishop Gero of Cologne in about 960–65, apparently the prototype of what became a popular form. These were later set up on a beam below the chancel arch, known in English as a rood, from the twelfth century accompanied by figures of the Virgin mary and John the Evangelist to the sides. During the 11th and 12th centuries, figurative sculpture flourished.

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Famous quotes containing the word sculpture:

    I look on Sculpture as history. I do not think the Apollo and the Jove impossible in flesh and blood. Every trait the artist recorded in stone, he had seen in life, and better than his copy.
    Ralph Waldo Emerson (1803–1882)