Late Medieval and Renaissance Forms
In late medieval and Renaissance high culture, the important European literary trend was to fantastic fictions in the mode of Romance. Exemplary work, such as the English Le Morte d'Arthur by Sir Thomas Malory (c.1408–1471), the Catalan Tirant lo Blanch, and the Spanish or Portuguese Amadis de Gaula (1508), spawned many imitators, and the genre was popularly well-received, producing such masterpiece of Renaissance poetry as Ludovico Ariosto's Orlando furioso and Torquato Tasso's Gerusalemme Liberata and other sixteenth-century literary works in the romance genre. The romances were freely drawn upon for royal pageantry. Queen Elizabeth I's Accession Day tilts, for instance, drew freely on the multiplicity of incident from romances for the knights' disguises.
From the high Middle Ages, in works of piety, clerical critics often deemed romances to be harmful worldly distractions from more substantive or moral works, and by 1600 many secular readers would agree; in the judgement of many learned readers in the shifting intellectual atmosphere of the seventeenth century, the romance was trite and childish literature, inspiring only broken-down ageing and provincial persons such as Don Quixote, knight of the culturally isolated province of La Mancha. Hudibras also lampoons the faded conventions of chivalrous romance, from an ironic, consciously realistic viewpoint. Some of the magical and exotic atmosphere of Romance informed tragedies for the stage, such as John Dryden's collaborative The Indian Queen (1664) as well as Restoration spectaculars and opera seria, such as Handel's Rinaldo (1711), based on a magical interlude in Tasso's Gerusalemme liberata.
In the Renaissance, also, the romance genre was bitterly attacked as barbarous and silly by the humanists, who exalted Greek and Latin classics and classical forms, an attack that was not in that century very effective among the common readers. In England, romances continued; heavily rhetorical, they often had complex plots and high sentiment, such as in Robert Greene's Pandosto (the source for William Shakespeare's The Winter's Tale) and Thomas Lodge's Rosalynde (based on the medieval romance Gamelyn and the source for As You Like It), Robert Duke of Normandy (based on Robert the Devil) and A Margarite of America.
Don Quixote (1605, 1615), by Miguel de Cervantes Saavedra (1547–1616), is a satirical story of an elderly country gentleman, living in La Mancha province, who is so obsessed by chivalric romances that he seeks to emulate their various heroes.
Read more about this topic: Romance (heroic Literature)
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