Marian Plays and Songs
In France begins in the 12th century the tradition of Christmas dramas, in which the nativity events are reproduced by actors. This becomes popular in other European countries as well, and is seen as the origin of popular Christmas carols, which were an integral part of the Christmas drama. These early Christmas songs are largely devotions to the Mother of God. Early manifestations are in Bavaria in the 12th century At the same time, Easter songs are often converted into Marian hyms, for example the hymn Te virgini Mariae laudes concinant Christianae. The assumption of Mary is praised in numerous songs from the 10th century, In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century The Marian songs and hymns in this epoch are too numerous to mention. They include pious excitement even some exaggerations, and valuable insights into the Marian belief, especially in the assumption.
Read more about this topic: Roman Catholic Marian Music
Famous quotes containing the words plays and/or songs:
“With sweet May dews my wings were wet,
And Phoebus fir’d my vocal rage;
He caught me in his silken net,
And shut me in his golden cage.
He loves to sit and hear me sing,
Then, laughing, sports and plays with me;
Then stretches out my golden wing,
And mocks my loss of liberty.”
—William Blake (1757–1827)
“The militancy of men, through all the centuries, has drenched the world with blood, and for these deeds of horror and destruction men have been rewarded with monuments, with great songs and epics. The militancy of women has harmed no human life save the lives of those who fought the battle of righteousness. Time alone will reveal what reward will be allotted to women.”
—Emmeline Pankhurst (1858–1928)