Roman Catholic Brahmin - in Popular Culture

In Popular Culture

• In her poem entitled de Souza Prabhu, the Goan poet Eunice de Souza muses about her Bamonn heritage:

"No, I'm not going to
delve deep down and discover,
I'm really de Souza Prabhu
even if Prabhu was no fool
and got the best of both worlds.
(Catholic Brahmin!
I can hear his fat chuckle still.)"

• The main protagonist of Mangalorean writer Richard Crasta’s erotic novel The Revised Kamasutra, is Vijay Prabhu, a small town, middle class Bamonn youth living in Mangalore during the 1970s. Filled with erotic longing and a deep desire to flee staunchly conservative Mangalore, he embarks on a sexual and spiritual odyssey that eventually lands him in the relatively liberal United States.
• The protagonists of Konkani novelist, V.J.P. Saldanha’s novels such as Balthazar from the novel, Belthangaddicho Balthazar (Balthazar of Belthangadi), Sardar Simaon and Sardar Anthon from Devache Kurpen (By the Grace of God), Salu and Dumga Peenth from Sordarachim Sinol (The sign of the Knights) are Bamonns. A few characters such as Jaculo Pai and Monna Kamath from Sordarachim Sinol, Sardar Simaon Pedru Prabhu, Sardar Anthon Paul Shet and Raphael Minguel Kamath from Devache Kurpen have evidently Brahmin surnames.
• Antonio Gomes' debut novel The Sting of Peppercorns (2010) focuses on the trials and tribulations faced by the de Albuquerques, a Bamonn family from Loutolim in Salcette. The family is headed by its patriarch Afonso de Albuquerque, a namesake of the conqueror of Goa to whom the family is linked through legend. Apart from him, it consists of his wife Dona Isabella, their two sons Paulo and Roberto, their daughter Amanda, an aunt Rosita noted for her cooking skills, ayah Carmina, and several servants who live on the de Albuquerque estate.
• Shakuntala Bharvani's novel Lost Directions (1996) features a minor Goan Bamonn character, Donna Bolvanta-Bragança. She is a fervent Catholic who takes pride in her Brahmin heritage, scornfully reprimanding the protagonist Sangeeta Chainani for mistaking her to be an Anglo-Indian. When Chainani innocently inquires as to how she can call herself a Brahmin while adhering to Roman Catholicism, her inquiry is contemptuously dismissed by the character.