Rolls-Royce Nene - Design and Development

Design and Development

Although based on the "straight-through" version of the basic Whittle-style layout, the Nene used a double-sided centrifugal compressor for improved pressure ratio and thus higher thrust. It was during the design of the Nene that Rolls decided to give their engines numbers as well as names, with the Welland and Derwent keeping their original Rover models, B/23 and B/26. It was later decided that these model numbers looked too much like those for bombers, and "R" was added to the front, the "R" signifying "Rolls" and the original Rover "B" signifying Barnoldswick. This RB designation scheme continues to this day.

The Nene doubled the thrust of the earlier generation engines, with early versions providing about 5,000 lbf (22.2 kN), but remained generally similar in most ways. This should have suggested that it would be widely used in various designs, but the Gloster Meteor proved so successful with its Derwents that the Air Ministry felt there was no pressing need to improve upon it. Instead a series of much more capable designs using the Rolls-Royce Avon were studied, and the Nene generally languished.

The Nene was used to power the first civil jet aircraft, a modified Vickers Viking, which flew first on 6 April 1948.

Pratt and Whitney was given a licence to produce the Nene as the Pratt & Whitney J42, and it powered the Grumman F9F Panther. Twenty-five were given to the Soviet Union as a gesture of goodwill - with reservation to not use for military purposes - with the agreement of Stafford Cripps. The Soviets reneged on the deal, and reverse engineered the Nene to develop the Klimov RD-45, and a larger version, the Klimov VK-1, which soon appeared in various Soviet fighters including Mikoyan-Gurevich MiG-15. It was briefly made under licence in Australia for use in the RAAF de Havilland Vampire fighters. It was also built by Orenda in Canada for use in 656 Canadair CT-133 Silver Star aircraft.

Read more about this topic:  Rolls-Royce Nene

Famous quotes containing the words design and/or development:

    With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.
    Henry David Thoreau (1817–1862)

    As a final instance of the force of limitations in the development of concentration, I must mention that beautiful creature, Helen Keller, whom I have known for these many years. I am filled with wonder of her knowledge, acquired because shut out from all distraction. If I could have been deaf, dumb, and blind I also might have arrived at something.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)