Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| GameRankings | (PC) 87.00% (Xbox) 63.31% |
| Review scores | |
| Publication | Score |
| GamePro | 9/10 |
| GameSpot | 8.6/10 |
| IGN | 8.5/10 |
| PC Gamer (UK) | 91/100 |
The original PC version was wildly popular for its originality and success in simulating an amusement park. GameSpot rated the game 8.6/10, while IGN scored the game an 8.5/10. Common complaints about the game were that it lacked a sandbox mode (which was added in RollerCoaster Tycoon 3) and that there were sometimes awkward building situations caused by the isometric camera angle. It was also widely criticized for having no fast forward option.
The Xbox port received mixed ratings due to very little improvement. The only exclusive features are no menu buttons (they were accessed by holding the X and B buttons) and a magnifying glass cursor that can be toggled by clicking the left thumbstick.
Within the amusement park industry and roller coaster enthusiast community, the game received high praise for its extremely accurate representation of real-life roller coasters, including easily identifiable characteristics of various manufacturers' products.
Read more about this topic: Roller Coaster Tycoon
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)