Role Of Music In World War II
World War II was the first conflict to take place in the age of electronically mass distributed music. By 1940 96.2% of Northeastern urban households in the United States of America had radio. The lowest group to take up, Southern Rural families still had 1 radio for every two households. During the Nazi rule radio ownership in Germany rose from 4 to 16 million households. As the major powers entered war millions of citizens had home radio devices that did not exist in the First World War. Also during the pre-war period sound was introduced to cinema and musicals were very popular.
Therefore World War II was a unique situation for music and its relationship to warfare. Never before was it possible for not only single songs but also single recordings of songs to be so widely distributed to the population. Never before had the number of listeners to a single performance (a recording or broadcast production) been so high. And never before had states had so much power to determine not only what songs were performed and listened to, but to control the recordings not allowing local people to alter the songs in their own performances. Though local people still sang and produced songs, this form of music faced serious new competition from centralized electronic distributed music.
Read more about Role Of Music In World War II: German English Song, American Songs, Music in The Democratic Allies, British Popular Music and The BBC, Russian Songs, German Songs, Approved Germanic Music, Unapproved Germanic Music, Popular Music Permitted Under The Nazis, Polish Songs of World War II, Propaganda Against The Enemy, Songs, Compositions and Others Written After The War, See Also
Famous quotes containing the words role of, role, music, world and/or war:
“To win by strategy is no less the role of a general than to win by arms.”
—Julius Caesar [Gaius Julius Caesar] (10044 B.C.)
“The role of the writer is not simply to arrange Being according to his own lights; he must also serve as a medium to Being and remain open to its often unfathomable dictates. This is the only way the work can transcend its creator and radiate its meaning further than the author himself can see or perceive.”
—Václav Havel (b. 1936)
“I used to be angry all the time and Id sit there weaving my anger. Now Im not angry. I sit there hearing the sounds outside, the sounds in the room, the sounds of the treadles and heddlesa music of my own making.”
—Bhakti Ziek (b. c. 1946)
“St Joseph thought the world would melt
But liked the way his finger smelt.”
—William Butler Yeats (18651939)
“No spoon has yet destroyed a mouth, but the knife of war cuts portions that are hard to swallow. Perhaps the big mouths of the privileged are able to cope with them, but they dull the teeth of the little people and ruin their stomachs.”
—Franz Grillparzer (17911872)