Decline
In 1983, CBS sold Rogers and Fender to a group of individuals, who were running the Fender division; the new owners soon after decided to discontinue the Rogers Drums line. In the late 1990s, the Rogers name was acquired by the Brook Mays Music Company ("BBMC") of Dallas, TX. BBMC positioned the brand as a low-cost, but high quality import line of beginner-to-advanced drums, that were sold exclusively in the company's own chain of music stores. Many purists and collectors believed this to be disrespectful to the company's great reputation. However, the drums sold successfully because many drummers (especially younger ones) wanted Rogers kits. But for various reasons the Brook Mays company ultimately was unable to continue operating its retail stores, most of which were small- to mid-scale local merchants first bought and then managed by BBMC. Adding to BBMC's business difficulties, First Act Inc., a competitor that sold its instruments through mass market retailers, sued BMMC in 2005 and was later awarded $20.7 million on the grounds that BMMC had falsely advertised and defamed it by sending letters to customers criticizing the quality of its instruments. In the summer of 2006, BMMC filed for Chapter 11 bankruptcy protection.
On August 26, 2006, the Yamaha Corporation of America announced, that it had acquired the intellectual property rights to the Rogers Drum Company at the BMMC bankruptcy court-ordered auction.
"Opportunities to acquire a well-respected brand, that is so treasured by players do not come along everyday," said Tom Sumner, Vice President and General Manager of Pro Audio & Combo Division, Yamaha Corporation of America. "We will use our expertise to improve on the Rogers legacy."
Yamaha displayed its new Rogers drums at winter NAMM 2007. The drums appear to be an amalgam of different Rogers eras, with some Yamaha touches. The reaction from classic Rogers fans has been overwhelmingly negative.
Read more about this topic: Rogers Drums
Famous quotes containing the word decline:
“Reckoned physiologically, everything ugly weakens and afflicts man. It recalls decay, danger, impotence; he actually suffers a loss of energy in its presence. The effect of the ugly can be measured with a dynamometer. Whenever man feels in any way depressed, he senses the proximity of something ugly. His feeling of power, his will to power, his courage, his pridethey decline with the ugly, they increase with the beautiful.”
—Friedrich Nietzsche (18441900)
“Considered physiologically, everything ugly weakens and saddens man. It reminds him of decay, danger, impotence; it actually reduces his strength. The effect of ugliness can be measured with a dynamometer. Whenever anyone feels depressed, he senses the proximity of something ugly. His feeling of power, his will to power, his courage, his pridethey decline with ugliness, they rise with beauty.”
—Friedrich Nietzsche (18441900)
“We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fallwhich latter, it would seem, is now near, among all people.”
—Thomas Carlyle (17951881)