Early Career and Work With Judy Garland
Edens was born in Hillsboro, Texas. His parents were of Scots-Irish ancestry. He worked as a piano accompanist for ballroom dancers before going to work as a musical conductor on Broadway. He went to Hollywood in 1932 along with his protege Ethel Merman, writing and arranging her material for her films at Paramount. In 1935, he joined MGM as a musical supervisor and occasional composer and arranger, notably of music for Judy Garland. He also appeared on screen opposite Eleanor Powell in a cameo in Broadway Melody of 1936.
Arthur Freed, producer of musicals at MGM, was impressed by Edens and soon made him integral to his production team, which was rapidly growing and featured many of the greatest talents, recruited by Freed himself. Freed built a cabinet around himself, and in the early 1940s made Edens associate producer. The unit made dozens of popular and extremely successful musical films in the 1940s and into the 1950s, including Meet Me in St. Louis (1944), Easter Parade (1948), On the Town (1949), Show Boat (1951), An American in Paris (1951), Singin' in the Rain (1952), and The Band Wagon (1953).
Edens eventually separated from the MGM unit in the mid-fifties, when the musical film's days of glory were coming to an end. He had his own office, and worked on such projects as Funny Face (1957) with Audrey Hepburn, Fred Astaire, and Kay Thompson at Paramount.
Edens is considered to be an important creative musical figure from the end of the 1930s until the beginning of the 1960s. His career at MGM allowed him to work with the top musical performers including the young Judy Garland, of whom he was the original trainer and overseer, and a lifelong friend. He wrote special material for Garland, including the famous Dear Mr Gable - You Made Me Love You (1937),Our love affair (1940) for Strike up the Band -that received an Oscar nomination for best song of that year-, and the music for the "Born in a Trunk" sequence in A Star Is Born (1954). Edens was responsible for writing It's A Great Day for the Irish to showcase Garland's powerhouse voice in 1940. This became one of Garland's biggest hits and an Irish-American anthem played by military and marching bands every St. Patrick's Day world over. He continued to compose, score, and arrange MGM musicals throughout the 1940s. He also produced a number of films after the mid-1950s and wrote special material for Garland's Palace Theatre debut in 1951 and for her London Palladium concerts the same year.
Read more about this topic: Roger Edens
Famous quotes containing the words early, career, work and/or garland:
“In early times every sort of advantage tends to become a military advantage; such is the best way, then, to keep it alive. But the Jewish advantage never did so; beginning in religion, contrary to a thousand analogies, it remained religious. For that we care for them; from that have issued endless consequences.”
—Walter Bagehot (1826–1877)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“Until women learn to want economic independence ... and until they work out a way to get this independence without denying themselves the joys of love and motherhood, it seems to me feminism has no roots.”
—Crystal Eastman (1881–1928)
“There is no gilding of setting sun or glamor of poetry to light up the ferocious and endless toil of the farmers’ wives.”
—Hamlin Garland (1860–1940)