Roger Bacon - in Fiction

In Fiction

To commemorate Bacon's seven hundredth anniversary, Professor John Erskine wrote A Pageant of the Thirteenth Century, a biographical play which was produced at Columbia University and published as a book by Columbia University Press in 1914.

An accessible description of Roger Bacon's life and times is contained in the fiction book Doctor Mirabilis, written in 1964 by the science fiction author James Blish. This is the second book in Blish's quasi-religious trilogy After Such Knowledge, and is a recounting of Bacon's life and struggle to develop a 'Universal Science'. Though thoroughly researched, with a host of references, including extensive use of Bacon's own writings, frequently in the original Latin, the book is written in the style of a novel, and Blish himself referred to it as 'fiction' or 'a vision'. Blish's view of Bacon is uncompromisingly that he was the first scientist, and he provides a postscript to the novel in which he sets forth these views. Central to his depiction of Roger Bacon is that 'He was not an inventor, an Edison or Luther Burbank, holding up a test tube with a shout of Eureka!' He was instead a theoretical scientist probing fundamental realities, and his visions of modern technology were just by-products of "...the way he normally thought — the theory of theories as tools..." Blish indicates where Bacon's writings, for example, consider Newtonian metrical frameworks for space, then reject these for something which reads remarkably like Einsteinian Relativity, and all '...breathtakingly without pause or hiccup, breezily moving without any recourse through over 800 years of physics'.

Many writers of earlier times have been attracted to Roger Bacon as the epitome of a wise and subtle possessor of forbidden knowledge, similar to Faustus. A succession of legends and unverifiable stories has grown up about him, for example, that he created a brazen talking head which could answer any question. This has a role in the play Friar Bacon and Friar Bungay written by Robert Greene in about 1589, and in Robertson Davies's novel Fifth Business (1970), where "The Brazen Head of Friar Bacon" answers audience questions as part of Magnus Eisengrim's magic show.

Bacon also appears as first scientist in The Black Rose, the most commercially successful book by Thomas Costain, written in 1945. The Black Rose is set in the Middle Ages. Bacon's personal presence in the narrative is brief, but includes a demonstration of gunpowder and a few sentences outlining a philosophy of science which might as easily be attributed to Francis Bacon centuries later. The novel's Roger Bacon serves to motivate Costain's protagonist, a fictional Englishman who journeys to China during the reigns of Edward I and Kublai Khan. Costain's narration includes technology such as the compass, the telescope, rockets and the manufacture of paper, all described by his young adventurer with an eye toward bringing these marvels back to Bacon for analysis. Returning to England to find Bacon gone and under house arrest, the traveller begs King Edward to intercede with the pope for the Franciscan's release, arguing that with Bacon's imprisonment a great light of the world is in danger of being put out. Costain's character also comes to argue for emancipation of the Saxon villeins (serfs), linking political with intellectual enlightenment under the fictional Bacon's influence.

In the novel The Name of the Rose by Umberto Eco, the story follows the investigations of William of Baskerville, presented as an anachronistically empiricist contemporary and colleague of Roger Bacon who often quotes his late friend when explaining William's own methods.

Read more about this topic:  Roger Bacon

Famous quotes containing the word fiction:

    The society would permit no books of fiction in its collection because the town fathers believed that fiction ‘worketh abomination and maketh a lie.’
    —For the State of Rhode Island, U.S. public relief program (1935-1943)

    The purpose of a work of fiction is to appeal to the lingering after-effects in the reader’s mind as differing from, say, the purpose of oratory or philosophy which respectively leave people in a fighting or thoughtful mood.
    F. Scott Fitzgerald (1896–1940)