Rod Steiger - Career

Career

Steiger appeared in over 100 motion pictures. He began his acting career in theatre and on live television in the early 1950s. On May 24, 1953, an episode of Goodyear Television Playhouse jump-started his career. The episode was the story of Marty written by Paddy Chayefsky. Marty is the story of a lonely homely butcher from the Bronx in search of love. Refusing to sign a seven-year studio contract, Steiger later turned down the role in the film version in 1955. Signing a studio contract at that time would "pigeon-hole" Steiger as to the roles he would later play and image portrayed on screen; those were two things Steiger objected to throughout his career. The role of Marty was turned over to Ernest Borgnine. Borgnine would receive the Academy Award for Best Actor in a Leading Role. Rod Steiger never regretted his decision to turn down the film role of Marty.

He won the Best Actor Oscar for his portrayal of Chief of Police Bill Gillespie in In the Heat of the Night (1967) opposite Sidney Poitier. He was nominated for the Best Supporting Actor Oscar for On the Waterfront (1954), in which he played Marlon Brando's character's brother. He was nominated again, this time for Best Actor, for the gritty The Pawnbroker (1965), a Sidney Lumet film in which Steiger portrays an emotionally withdrawn Holocaust survivor living in New York City.

He played Jud Fry in the film version of the Rodgers and Hammerstein musical Oklahoma!, in which he did his own singing. One of his favorite roles was as Komarovsky in Doctor Zhivago (1965). Steiger, the only American in the cast of that film, was initially apprehensive about working with such great British actors as Ralph Richardson and Alec Guinness and was afraid that he would stick out, but he won acclaim for his performance. He also befriended fellow actor Tom Courtenay on this film; the two remained friends until Steiger's death.

He also appeared in The Big Knife as an overly aggressive film studio boss who berates film star Jack Palance; as Al Capone in Al Capone (1959); as Mr. Joyboy in The Loved One; as the serial killer in No Way to Treat a Lady; and as a repressed gay NCO in The Sergeant (1968); as Rabbi Saunders in The Chosen (1981).

He also played well-known figures such as Napoleon Bonaparte in Waterloo (1970); Benito Mussolini in The Last Four Days (1974) and again in Lion of the Desert (1981); W. C. Fields in W. C. Fields and Me (1976); Pontius Pilate in Franco Zeffirelli's TV miniseries Jesus of Nazareth (1977); and mob boss Sam Giancana in the TV miniseries, Sinatra (1992). He appeared in several Italian films, including Hands Over the City (1963) and Lucky Luciano (1974) (both Francesco Rosi's), and also Sergio Leone's A Fistful of Dynamite (1971). In France, he starred in Claude Chabrol's Innocents with Dirty Hands opposite Romy Schneider.

In his later years he appeared in The Amityville Horror (1979); The Specialist (1994), and Mars Attacks!. On television, he appeared in the miniseries Jackie Collins' Hollywood Wives (1985), Armistead Maupin's Tales of the City (1993), and a 1995 Columbo television film. Among his final roles was the judge in the prison drama, The Hurricane (1999). The film reunited him with director Norman Jewison, who had directed him in In the Heat of the Night. His last film was A Month of Sundays.

Steiger also starred in the film version of Kurt Vonnegut's play Happy Birthday, Wanda June (1971). In 1969, he appeared in the film adaptation of Ray Bradbury's The Illustrated Man with his then-wife, Claire Bloom. He was offered the title role in Patton, but turned it down because he did not want to glorify war. The role was then given to George C. Scott, who won a Best Actor Oscar. Steiger called this refusal his "dumbest career move".

Steiger has a star on the Hollywood Walk of Fame, at 7080 Hollywood Boulevard which was unveiled 1 April 1997.

Read more about this topic:  Rod Steiger

Famous quotes containing the word career:

    They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.
    Anne Roiphe (20th century)

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    I’ve been in the twilight of my career longer than most people have had their career.
    Martina Navratilova (b. 1956)