The 72 stone steps before the entrance of the Philadelphia Museum of Art in Philadelphia, Pennsylvania have become known as the "Rocky Steps" as a result of their appearance in the triple-Oscar-winning film Rocky and four of its sequels, Rocky II, III, V and Rocky Balboa, in which the eponymous character runs up the steps to the song "Gonna Fly Now". Tourists often mimic Rocky's famous climb, a metaphor for an underdog or an everyman rising to a challenge. A bronze statue of Rocky was briefly situated at the top of the steps for the filming of Rocky III. This statue, now located at the bottom right of the steps, is a popular photo opportunity for visitors. The top of the steps offers a commanding view of Eakins Oval, the Benjamin Franklin Parkway, and Philadelphia City Hall.
In 2006, Rocky creator Sylvester Stallone recounted the genesis of the iconic scene: (while filming the 1976 movie) the film crew, bound by a tight budget, identified the steps one night while searching for filming locations around the city. Stallone first thought Rocky should carry his dog Butkus up the steps, but the big bull mastiff proved too heavy for the scene to work. Still, the view from the top of the stairs inspired him to reshoot the scene without the dog. In Rocky Balboa, Rocky lifts his dog Punchy when he reaches the top of the steps.
This scene was one of the first uses in a major film of the Steadicam, a stabilized camera mount that allows its operator to walk and even climb steps while smoothly filming.
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Famous quotes containing the words rocky and/or steps:
“Luckily for us, now that steam has narrowed the Atlantic to a strait, the nervous, rocky West is intruding a new and continental element into the national mind, as we shall yet have an American genius.”
—Ralph Waldo Emerson (1803–1882)
“Is it the lumberman, then, who is the friend and lover of the pine, stands nearest to it, and understands its nature best? Is it the tanner who has barked it, or he who has boxed it for turpentine, whom posterity will fable to have been changed into a pine at last? No! no! it is the poet.... All the pines shudder and heave a sigh when that man steps on the forest floor.”
—Henry David Thoreau (1817–1862)