Plot
Rock Around the Clock tells a highly fictionalized rendition of how rock and roll was discovered. As band manager Steve Hollis observes that big band dance music is failing to draw audiences any longer, he comes across a new sound that piques his interest. While traveling through a small farming town, he attends the local teenage dance and is introduced to rock and roll music and dancing, in the person of local band Bill Haley & His Comets and their associated dancers. Convinced that rock and roll will be the next big thing, Hollis strikes a deal to manage the group and also strikes up a romance with dancer Lisa Johns.
Hollis then turns to agent Corinne Talbot, who handles bookings for nearly all of the venues in which Hollis needs the band to play to gain them exposure. Talbot's primary interest in Hollis, however, is to have him marry her, and she's determined to prevent him from succeeding without his working directly for her agency. First, she books the band into a traditionally conservative venue, expecting them to reject the band's brash new sound. But instead, the dancers there are excited by the music and embrace it enthusiastically. Next, Talbot simply blacklists Hollis and his acts from the venues she controls. But Hollis maneuvers around her by calling in a favor owed to him by disc jockey Alan Freed. The resulting booking in Freed's venue grants the Comets the exposure they need in spite of Talbot's efforts.
Talbot's final play is to agree to sign the group to a three-year contract that will secure their future, but only on the condition that Johns agree not to marry during the term of that contract. Johns agrees to those terms and Talbot launches their career with a national tour, confident that the contract's marriage prohibition will drive a wedge between Hollis and Johns. Once the contract is signed and the tour begins, however, Hollis reveals that he and Johns married quickly during the time it took to draw up the contract.
Read more about this topic: Rock Around The Clock (film)
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
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—Jane Rule (b. 1931)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)