Rock And Roll Hall Of Fame Inductees
The Rock and Roll Hall of Fame, established in 1983 and located in Cleveland, Ohio, United States, is dedicated to recording the history of some of the best-known and most influential musicians, bands, producers, and others that have in some major way influenced the music industry, particularly in the area of rock and roll. Originally, there were four categories of induction: performers, non-performers, early influences, and lifetime achievement. In 2000, "sidemen" was introduced as a category while that year also marked the last time for nine years that early influences would be inducted.
The only category that has seen new inductees every single year is the performers category. Artists become eligible for induction in that category 25 years after the release of their first record. In order to be inducted, an artist must be nominated by a committee that selects anywhere from nine to a dozen candidates. Ballots are then sent to 500 "rock experts" who evaluate the candidates and vote on who should be inducted. The performers that receive the highest number of votes and more than 50 percent of the vote are inducted. In 2010, the number inducted was five. The rest of the categories are voted on by special committees. New inductees are honored at an annual ceremony held either in New York or every three years at the Hall of Fame city in Cleveland.
The Rock and Roll Hall of Fame has garnered criticism for allegedly allowing the nomination process to be controlled by a few individuals, nominating too many artists in too many genres that are not entirely rock, ignoring entire rock genres, and using technicalities to induct groups who may not have been among the top vote getters. The surviving members of the Sex Pistols, who were inducted in 2006, refused to attend the ceremony, calling the museum a "piss stain."
Read more about Rock And Roll Hall Of Fame Inductees: Multiple Inductees
Famous quotes containing the words rock and roll, rock and, rock, roll, hall and/or fame:
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)
“The mode of clearing and planting is to fell the trees, and burn once what will burn, then cut them up into suitable lengths, roll into heaps, and burn again; then, with a hoe, plant potatoes where you can come at the ground between the stumps and charred logs; for a first crop the ashes suffice for manure, and no hoeing being necessary the first year. In the fall, cut, roll, and burn again, and so on, till the land is cleared; and soon it is ready for grain, and to be laid down.”
—Henry David Thoreau (1817–1862)
“He packs wool sheared in April, honey
in combs, linen, leather
tanned from deerhide,
and vinegar in a barrel
hooped by hand at the forge’s fire.”
—Donald Hall (b. 1928)
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—Sarah Bernhardt (1845–1923)