Rock and Alternative Music in Iran

Rock And Alternative Music In Iran

Iranian rock (Persian: راک ایرانی‎) is a form of rock music that is largely produced in Europe and Tehran's underground circles, and is rising to challenge "Tehrangeles pop", which has dominated the popular music genre of Iran for decades.

Iranian rock is almost entirely in Persian language. There are however musicians of Iranian descent both inside and outside Iran that produce their rock music in languages such as English or German. Iranian rock has its roots in American rock, British rock and German rock, but has its own distinctive elements mixed in to create a homegrown class of sounds and melodies, whether progressive, hard, or heavy metal. There has been many movements since 1970s.

Read more about Rock And Alternative Music In Iran:  History, The Contemporary Scene, Rising Faces in Iranian Rock/ Metal Music, See Also

Famous quotes containing the words rock and, rock, alternative, music and/or iran:

    When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?
    Julius K. Nyerere (b. 1922)

    Margaret: Some people have life made for them.
    Frank: That’s right, Mrs. Hammond, and some people make it for themselves. It’s about time you took that ton of rock off your shoulders.
    David Storey (b. 1933)

    If English is spoken in heaven ... God undoubtedly employs Cranmer as his speechwriter. The angels of the lesser ministries probably use the language of the New English Bible and the Alternative Service Book for internal memos.
    Charles, Prince Of Wales (b. 1948)

    If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.
    —W.H. (Wystan Hugh)

    During my administration the most unpleasant and perhaps most dramatic negotiations in which we participated were with the various leaders of Iran after the seizure of American hostages in November 1979. The Algerians were finally chosen as the only intermediaries who were considered trustworthy both by me and the Ayatollah Khomeini. After many aborted efforts, final success was achieved during my last few hours in the White House.
    Jimmy Carter (James Earl Carter, Jr.)