Drug Culture
Rochdale was originally a refuge for idealists. Ultimately, its cooperative idealism was its downfall. Dedicated to consensus decision making and granting a vote to everyone who lived (or claimed to live) in the building, Rochdale's governing body was unable to reach agreement to expel those who failed to pay their rents or otherwise live up to its ideals. Unable to pay its mortgage to the Canadian government, Rochdale drifted towards insolvency. As nearby Yorkville became gentrified during the late 1960s, much of Toronto's counterculture moved into Rochdale. This included homeless squatters and bikers who dealt hard drugs, along with a substantial number of undercover officers from the Royal Canadian Mounted Police.
According to the CBC Archives, by 1971 Rochdale had become known as "'North America's largest drug distribution warehouse.' Hash, pot, and LSD are in large supply. The Rochdale security force includes members of biker gangs".
CBC Archives also describe how "ue to problems with cops and bikers, the governing council set up a paid security force to be on 24-hour alert. Ironically, some of these security people were bikers themselves. As had happened in Yorkville, an unofficial alliance with the Vagabonds outlaw motorcycle club developed." Rochdale's educational focus and student population declined as the drug business increased.
After increased clashes with police, and unable to pay its mortgage, political pressure forced financial foreclosure by the government, and Rochdale closed in 1975. A number of residents refused to leave. On May 30 the last residents were carried from the building by police. The doors to the college had to be welded shut to keep them out.
Read more about this topic: Rochdale College
Famous quotes containing the words drug and/or culture:
“Narcotics have been systematically scapegoated and demonized. The idea that anyone can use drugs and escape a horrible fate is an anathema to these idiots. I predict that in the near future, right wingers will use drug hysteria as a pretext to set up an international police apparatus.”
—Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Father Tom Murphy (William S. Burroughs)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)