References in Popular Culture
- Siffredi is referenced in the Hold Steady song "Most People Are DJs" from 2004's Almost Killed Me.
- The Polish punk rock band Anti Dread wrote the song "Roko na Sterydach" ("Rocco on Steroids") about Siffredi.
- He is also referred by famous Italian rock band Elio e Le Storie Tese (a Milan rock band whose music is inspired to the style of Frank Zappa). Sergio Conforti (band's vocals, keyboards, electronic drums, piano), ironizing in his reference, adopted the stage name of Rocco Tanica .
- Mark Holcomb and Matt Halpern, of progressive metal band Periphery, are avid fans of Rocco's work, and quote Rocco's famous lines on-stage.
- Rocco Siffredi is referenced in the song "Kundel Bury" from band Arka Satana.
- Underground cult filmmaker Carlos Atanes stated that Stanley Kubrick, David Lean and Rocco Siffredi were his main film references and he also said about Siffredi's work that "Agnes’ scene in “Rocco invades Poland” or Gabriella Kerez’ pool scene from “True Anal Stories 9” are deeper than any Theo Angelopoulos’ movie and show us the human inside more accurately than any Ingmar Bergman’s film."
Read more about this topic: Rocco Siffredi
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)