Rocco Siffredi - in Mainstream Media

In Mainstream Media

Siffredi is one of a few porn actors to enjoy crossover appeal and success with respect to other segments of the adult-film industry, as well as some in mainstream media. As a primary example, although his acting has been restricted exclusively to heterosexual pornography, his good looks have resulted in his attracting a large gay audience. In December 1990, Siffredi was selected to pose as the nude centerfold in the adult mainstream magazine Playgirl. Accompanying him on the cover was the caption, "At last! A centerfold to die for!"

In 1999, he appeared in the controversial Catherine Breillat film Romance. His performance in this role was followed by a part specifically written for him by the same director in her 2003 film Anatomie de L'enfer (Anatomy of Hell), in which he plays a gay man who becomes sexually involved with a woman. Both films feature unsimulated sexual scenes involving Siffredi, although it is disputed whether he actually has intercourse with co-star Caroline Ducey in Romance. (She says no, Siffredi says yes.)

Siffredi is also visible in non-pornographic roles on Italian television, including:

  • Television commercials for Amica Chips, a snack food, which have spawned considerable controversy and have at one point been taken off the air.
  • With his wife, Rosa Caracciolo, in a television commercial for 48248, an SMS service.
  • As the unwitting participant in an episode of Scherzi a Parte, a program similar to Candid Camera.
  • Elio e Le Storie Tese's leader Stefano Belisari (also known as Elio) dedicated in 1997 to Siffredi a song and a video Rocco e Le Storie Tese. Rocco himself directed the video also appearing in it.

Read more about this topic:  Rocco Siffredi

Famous quotes containing the words mainstream and/or media:

    We in the South were ready for reconciliation, to be accepted as equals, to rejoin the mainstream of American political life. This yearning for what might be called political redemption was a significant factor in my successful campaign.
    Jimmy Carter (James Earl Carter, Jr.)

    The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognises neither pity nor pitilessness.
    John Berger (b. 1926)