Robot (dance) - Description

Description

The robot is simply the illusion of being a robot. Movements of the robot are normally started and finished with a dimestop (a very abrupt stop), to give the impression of motors starting and stopping, but poppers have also been known to do the robot with a pop to the beat. As long as the illusion of being a robot is maintained, it is considered the robot. The dance was created in 1967.

Robot dancing is often considered a subsection of popping because poppers often include the robot in their routines, sometimes adding pops to the beat while maintaining the illusion of a robot, but the robot also exists as its own dance and is sometimes considered a performance rather than a dance when the performer is imitating a robot without any music. When done without music it is considered to be mime, instead of dance. Street theater often featured mimes who did a mechanical man or puppet style illusion, without music. In the late 1960s the style was used while social dancing to funk or soul music. Charles "Robot" Washington was not the first to strictly imitate a robot as a mime, however he and his partner "Robot Ann" were the first to socially couple dance the style to music at parties and clubs, and it was at this point it became a party dance and later combined with other illusion styles to form today's popping style. It is commonly known as "Robotics". Roboting has also been likened to the jazz-era folk dance of puppeting (a style also appreciated in some forms of experimental ballet), whereby the dancer would emulate the mechanical movements of a simple musical box doll.

Read more about this topic:  Robot (dance)

Famous quotes containing the word description:

    God damnit, why must all those journalists be such sticklers for detail? Why, they’d hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.
    Lyndon Baines Johnson (1908–1973)

    Do not require a description of the countries towards which you sail. The description does not describe them to you, and to- morrow you arrive there, and know them by inhabiting them.
    Ralph Waldo Emerson (1803–1882)

    The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.
    Guy Debord (b. 1931)