Problems Depicted in Popular Culture
Fears and concerns about robots have been repeatedly expressed in a wide range of books and films. A common theme is the development of a master race of conscious and highly intelligent robots, motivated to take over or destroy the human race. (See The Terminator, Runaway, RoboCop, the Replicators in Stargate, the Cylons in Battlestar Galactica, The Matrix, Enthiran and I, Robot.) Some fictional robots are programmed to kill and destroy; others gain superhuman intelligence and abilities by upgrading their own software and hardware. Examples of popular media where the robot becomes evil are 2001: A Space Odyssey, Red Planet and Enthiran. Another common theme is the reaction, sometimes called the "uncanny valley", of unease and even revulsion at the sight of robots that mimic humans too closely. Frankenstein (1818), often called the first science fiction novel, has become synonymous with the theme of a robot or monster advancing beyond its creator. In the TV show, Futurama, the robots are portrayed as humanoid figures that live alongside humans, not as robotic butlers. They still work in industry, but these robots carry out daily lives. Other problems may include events pertaining to robot surrogates (e.g. the movie Surrogates) where tissue of living organisms is interchanged with robotic systems. These problems can leave many possibilities where electronic viruses or an electro magnetic pulse (EMP) can destroy not only the robot but kill the host/operator as well.
Read more about this topic: Robot, Robots in Popular Culture
Famous quotes containing the words problems, depicted, popular and/or culture:
“The problems of this world are only truly solved in two ways: by extinction or duplication.”
—Susan Sontag (b. 1933)
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
“That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
—Ralph Waldo Emerson (1803–1882)
“There is something terribly wrong with a culture inebriated by noise and gregariousness.”
—George Steiner (b. 1929)