Robert Wilson (director) - Works

Works

  • The King of Spain, 1969
  • The Life and Times of Sigmund Freud, 1969
  • Deafman Glance (with Raymond Andrews), 1971
  • KA MOUNTain and GUARDenia Terrace, 1972
  • The Life and Times of Joseph Stalin, 1973
  • A Letter For Queen Victoria, 1974
  • Einstein on the Beach (with Philip Glass), 1976
  • I Was Sitting On My Patio This Guy Appeared I Thought I Was Hallucinating (with Lucinda Childs), 1977
  • Death Destruction & Detroit, 1979
  • Edison, 1979
  • The Golden Windows (Die Goldenen Fenster), 1979
  • Stations, 1982
  • the CIVIL warS: a tree is best measured when it is down, 1984
  • Shakespeare's King Lear, 1985
  • Heiner Müller's Hamletmachine, 1986
  • Euripides' Alcestis, 1986-1987
  • Death Destruction & Detroit II, 1987
  • Heiner Müller's Quartett, 1987
  • Le martyre de Saint Sébastien, 1988
  • Orlando (from the novel by Virginia Woolf), 1989
  • Louis Andriessen's De Materie, 1989
  • The Black Rider (with William S. Burroughs and Tom Waits), 1990
  • Richard Wagner's Parsifal, Hamburg, 1991
  • Alice (with Tom Waits and Paul Schmidt), 1992
  • Gertrude Stein's Doctor Faustus Lights the Lights, Hebbel Theatre (Berlin) 1992
  • Skin, Meat, Bone (with Alvin Lucier), 1994
  • The Meek Girl (based on a story by Fyodor Dostoyevsky), 1994
  • Timerocker (with Lou Reed), 1997
  • O Corvo Branco, (with Philip Glass), Teatro Camões (Lisbon), 1998
  • Monsters of Grace (with Philip Glass), 1998
  • Lohengrin for the Metropolitan Opera, 1998
  • Bertolt Brecht's The Flight across the Ocean for the Berliner Ensemble, 1998
  • The days before - Death Destruction & Detroit III, (with Ryuichi Sakamoto), Lincoln Center 1999
  • Richard Wagner's Der Ring des Nibelungen, Zurich Opera
  • POEtry, (with Lou Reed), 2000
  • Hot Water (with Tzimon Barto), 2000
  • Persephone, 2001
  • Georg Büchner's Woyzeck (with Tom Waits), 2002
  • Richard Strauss's Die Frau ohne Schatten, Opéra National de Paris (Opéra Bastille), 2002
  • Isamo Noguchi exhibition, 2003
  • The Temptation of Saint Anthony (with Bernice Johnson Reagon) Opéra National de Paris, 2003
  • I La Galigo, 2004
  • Jean de La Fontaine's The Fables, 2005
  • Ibsen's Peer Gynt, 2005 (in Norway)
  • Büchner's Leonce and Lena
  • VOOM Portraits, exhibition, 2007 at ACE Gallery in Los Angeles, CA
  • Brecht's The Threepenny Opera, Berliner Ensemble, 2007
  • Beckett's Happy Days, 2008
  • Rumi, Polish National Opera, 2008
  • Faust for the Polish National Opera, 2008
  • Sonnets (based on Shakespeare's Sonnets with music by Rufus Wainwright), Berliner Ensemble, 2009
  • , (a performance/portrait of choreographer and dancer Suzushi Hanayagi), 2009
  • Carl Maria von Weber's Der Freischütz, Festspielhaus Baden-Baden, conductor Thomas Hengelbrock, 2009
  • Beckett's Krapp's Last Tape, 2009
  • L'Orfeo, by Claudio Monteverdi, La Scala, Milan 2009
  • Káťa Kabanová, by Leoš Janáček, Národní Divadlo, Prague 2010
  • Věc Makropulos, by Karel Čapek, Stavovské Divadlo, Prague 2010
  • 2010 : Oh les beaux jours de Samuel Beckett, Théâtre de l'Athénée Louis-Jouvet
  • The Life and Death of Marina Abramovic, with Marina Abramovic, Manchester International Festival, 9–16 July 2011, The Lowry, Manchester
  • Il ritorno d'Ulisse in patria, by Claudio Monteverdi, La Scala, Milan 2011
  • Claude Debussy's Pelléas et Mélisande, Teatro Real de Madrid, 2011

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Famous quotes containing the word works:

    “Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
    —Raymond Williams (1921–1988)

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)

    “Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
    —Paul Valéry (1871–1945)