Works
- The King of Spain, 1969
- The Life and Times of Sigmund Freud, 1969
- Deafman Glance (with Raymond Andrews), 1971
- KA MOUNTain and GUARDenia Terrace, 1972
- The Life and Times of Joseph Stalin, 1973
- A Letter For Queen Victoria, 1974
- Einstein on the Beach (with Philip Glass), 1976
- I Was Sitting On My Patio This Guy Appeared I Thought I Was Hallucinating (with Lucinda Childs), 1977
- Death Destruction & Detroit, 1979
- Edison, 1979
- The Golden Windows (Die Goldenen Fenster), 1979
- Stations, 1982
- the CIVIL warS: a tree is best measured when it is down, 1984
- Shakespeare's King Lear, 1985
- Heiner Müller's Hamletmachine, 1986
- Euripides' Alcestis, 1986-1987
- Death Destruction & Detroit II, 1987
- Heiner Müller's Quartett, 1987
- Le martyre de Saint Sébastien, 1988
- Orlando (from the novel by Virginia Woolf), 1989
- Louis Andriessen's De Materie, 1989
- The Black Rider (with William S. Burroughs and Tom Waits), 1990
- Richard Wagner's Parsifal, Hamburg, 1991
- Alice (with Tom Waits and Paul Schmidt), 1992
- Gertrude Stein's Doctor Faustus Lights the Lights, Hebbel Theatre (Berlin) 1992
- Skin, Meat, Bone (with Alvin Lucier), 1994
- The Meek Girl (based on a story by Fyodor Dostoyevsky), 1994
- Timerocker (with Lou Reed), 1997
- O Corvo Branco, (with Philip Glass), Teatro Camões (Lisbon), 1998
- Monsters of Grace (with Philip Glass), 1998
- Lohengrin for the Metropolitan Opera, 1998
- Bertolt Brecht's The Flight across the Ocean for the Berliner Ensemble, 1998
- The days before - Death Destruction & Detroit III, (with Ryuichi Sakamoto), Lincoln Center 1999
- Richard Wagner's Der Ring des Nibelungen, Zurich Opera
- POEtry, (with Lou Reed), 2000
- Hot Water (with Tzimon Barto), 2000
- Persephone, 2001
- Georg Büchner's Woyzeck (with Tom Waits), 2002
- Richard Strauss's Die Frau ohne Schatten, Opéra National de Paris (Opéra Bastille), 2002
- Isamo Noguchi exhibition, 2003
- The Temptation of Saint Anthony (with Bernice Johnson Reagon) Opéra National de Paris, 2003
- I La Galigo, 2004
- Jean de La Fontaine's The Fables, 2005
- Ibsen's Peer Gynt, 2005 (in Norway)
- Büchner's Leonce and Lena
- VOOM Portraits, exhibition, 2007 at ACE Gallery in Los Angeles, CA
- Brecht's The Threepenny Opera, Berliner Ensemble, 2007
- Beckett's Happy Days, 2008
- Rumi, Polish National Opera, 2008
- Faust for the Polish National Opera, 2008
- Sonnets (based on Shakespeare's Sonnets with music by Rufus Wainwright), Berliner Ensemble, 2009
- , (a performance/portrait of choreographer and dancer Suzushi Hanayagi), 2009
- Carl Maria von Weber's Der Freischütz, Festspielhaus Baden-Baden, conductor Thomas Hengelbrock, 2009
- Beckett's Krapp's Last Tape, 2009
- L'Orfeo, by Claudio Monteverdi, La Scala, Milan 2009
- Káťa Kabanová, by Leoš Janáček, Národní Divadlo, Prague 2010
- Věc Makropulos, by Karel Čapek, Stavovské Divadlo, Prague 2010
- 2010 : Oh les beaux jours de Samuel Beckett, Théâtre de l'Athénée Louis-Jouvet
- The Life and Death of Marina Abramovic, with Marina Abramovic, Manchester International Festival, 9–16 July 2011, The Lowry, Manchester
- Il ritorno d'Ulisse in patria, by Claudio Monteverdi, La Scala, Milan 2011
- Claude Debussy's Pelléas et Mélisande, Teatro Real de Madrid, 2011
Read more about this topic: Robert Wilson (director)
Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour daywho works at a job and then takes on a second shift with the kids every nightis much more likely to adopt the survivors motto: If it works, Ill use it. From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just dont get it.”
—Ron Taffel (20th century)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
—Jean Genet (19101986)