Background and Training
Smirke was born in London on 1 October 1780, the second son of portrait painter Robert Smirke; he was one of twelve children. He attended Aspley School, Aspley Guise, Bedfordshire, where he studied Latin, Greek, French and drawing he was made head boy at age 15, and studied architecture as a pupil of classical architect John Soane from May 1796 but left after a few months in early 1797 due to a personality clash with Soane. He wrote the following letter to his father:
He (Soane) was on Monday morning in one of his amiable Tempers. Everything was slovenly that I was doing. My drawing was slovenly because it was too great a scale, my scale, also, being too long, and he finished saying the whole of it was excessively slovenly, and that I should draw it out again on the back not to waste another sheet about it.
In 1796 he began his studies at the Royal Academy winning the Silver Medal that year, also winning the same year the Silver Palette of the Royal Society for the encouragement of Arts, Manufactures & Commerce, he was awarded the Gold Medal of the Royal Academy in 1799 for his design for a National Museum. After leaving Soane he depended on George Dance the Younger and a surveyor called Thomas Bush for his training. From 1801 to 1805 he embarked on the Grand Tour, he studied architecture in southern Europe. Accompanied by his elder brother Richard, his itinerary can be followed by the series of letters he wrote, Brussels, as Britain was at war, in order to visit Paris they disguised themselves as Americans, Berlin, Potsdam, Prague, Dresden, Vienna. Visiting Italy, including, Florence, Venice, Padua, Genoa, Vicenza, Rome, Naples, and Sicily then on to Greece, visiting Corinth, Athens, Delphi, Thebes and Olympia. He wrote from Athens to his father:
How can I by description give you any idea of the great pleasure I enjoyed in the sight of these ancient buildings of Athens! How strongly were exemplified in them the grandeur and effect of simplicity in architecture! The Temple of Thesus (Temple of Hephaestus)... cannot but arrest the attention of everyone from its appropriate and dignified solemnity of appearance. The temple of Minerva (Parthenon)... strikes one in the same way with its grandeur and majesty. We were a month there. The impression made upon my mind... had not in that time in the least weakened by being frequently repeated and I could with pleasure spend a much longer time there, while those in Rome (with few exceptions) not only soon grow in some degree uninteresting but have now entirely sunk into disregard and contempt in my mind. All that I could do in Athens was to make some views of them...hoping that they will serve as a memorandum to me of what I think should always be a model.'
He drew most of the ancient buildings in Morea.
Read more about this topic: Robert Smirke (architect)
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