Robert Planquette - Works

Works

All operettas and all premieres in Paris, unless otherwise noted.

  • Méfie-toi de Pharaon, one act, 1872, Eldorado
  • Le serment de Mme Grégoire, 1874, Eldorado
  • Paille d'avoine, one act, 12 March 1874, Théâtre des Délassements-Comiques
  • Le valet de coeur, saynète, one act, 1875, Alcazar d'Eté
  • Le péage, c 1876, Eldorado
  • Les cloches de Corneville, opéra comique, four acts, 19 April 1877, Théâtre des Folies-Dramatiques
  • Le chevalier Gaston, one act, 8 February 1879, Opéra, Monte Carlo
  • Les voltigeurs de la 32ème, three acts, 7 January 1880, Renaissance
  • La cantinière, three acts, 26 October 1880, Théâtre de Nouveautés
  • Rip van Winkle (Rip-Rip), three acts, 14 October 1882, Comedy Theatre, London
  • Les chevaux-légers, one act, 1882
  • Nell Gwynne (La princesse Colombine), three acts, 7 February 1884, Avenue Theatre, London
  • La crémaillere, three acts, 28 November 1885, Nouveautés
  • Surcouf, three acts, 6 October 1887, Folies-Dramatiques
  • Captain Thérése, 1887, three acts, 25 August 1890, Prince of Wales Theatre, London
  • La cocarde tricolore, three acts, 12 February 1892, Folies-Dramatiques
  • Le talisman, three acts, 20 January 1893, Théâtre de la Gaîté
  • Les vingt-huit jours de Champignolette, 17 September 1895, République
  • Panurge, 1895, three acts, 22 November 1895, Gaîté
  • Mam'zelle Quat'sous, four acts, 19 April 1897 Gaîté
  • Le fiancé de Margot, one act, 1900
  • Le paradis de Mahomet, three acts, completed by L Ganne, 15 May 1906, Variétés

Read more about this topic:  Robert Planquette

Famous quotes containing the word works:

    “Great works constructed there in nature’s spite
    For scholars and for poets after us,
    Thoughts long knitted into a single thought,
    A dance-like glory that those walls begot.”
    —William Butler Yeats (1865–1939)

    “Reason, the prized reality, the Law, is apprehended, now and then, for a serene and profound moment, amidst the hubbub of cares and works which have no direct bearing on it;Mis then lost, for months or years, and again found, for an interval, to be lost again. If we compute it in time, we may, in fifty years, have half a dozen reasonable hours.”
    —Ralph Waldo Emerson (1803–1882)

    “And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
    —Ron Taffel (20th century)