Move To Plymouth
He spent a year living in a remote cottage near Lanreath in Cornwall, supporting his young family by teaching, before being offered studio space on the Barbican in Plymouth by local artist John Nash. The artist's home and studios once more became a magnet for vagrants and street alcoholics, who then sat for paintings. Their numbers swelled and Lenkiewicz was forced to commandeer derelict warehouses in the city to house the 'dossers'. One of these warehouses also served as a studio and in 1973 became the exhibition space for the Vagrancy Project.
He first came to public attention when the media highlighted his giant mural man on Plymouth's Barbican in the 1970s. Another furore occurred in 1981 when he faked his own death in preparation for the forthcoming project of paintings on the theme of death (1982): "I could not know what it was like to be dead," said the artist, "but I could discover what it was like to be thought dead."
Read more about this topic: Robert Lenkiewicz
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“In clear weather the laziest may look across the Bay as far as Plymouth at a glance, or over the Atlantic as far as human vision reaches, merely raising his eyelids; or if he is too lazy to look after all, he can hardly help hearing the ceaseless dash and roar of the breakers. The restless ocean may at any moment cast up a whale or a wrecked vessel at your feet. All the reporters in the world, the most rapid stenographers, could not report the news it brings.”
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