Ireland
Producer Michael Balcon took Flaherty on to direct Man of Aran (1934), which portrayed the harsh traditional lifestyle of the occupants of the isolated Aran Islands off the west coast of Ireland. Man of Aran was a major critical success, and for decades was considered in some circles an even greater achievement than Nanook. As with Nanook, Man of Aran showed human beings' efforts to survive under extreme conditions: in this case, an island whose soils were so thin that the inhabitants carried seaweed up from the sea to construct fields for cultivation. As with Nanook, too, Flaherty cast locals in the various fictionalized roles, and made use of dramatic recreation of anachronistic behaviors: in this case, a sequence showing the hunting of sharks from small boats with harpoons, which the islanders had by then not practiced for several decades. He also staged the film's climactic sequence, in which three men in a small boat strive to row back to shore through perilously high, rock-infested seas.
Read more about this topic: Robert J. Flaherty
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