Robert Graves - Bibliography - Fiction

Fiction

  • My Head! My Head!. London: Secker, 1925; Alfred. A. Knopf, New York, 1925.
  • The Shout. London: Mathews & Marrot, 1929.
  • No Decency Left. (with Laura Riding) (as Barbara Rich). London: Jonathan Cape, 1932.
  • The Real David Copperfield. London: Arthur Barker, 1933; as David Copperfield, by Charles Dickens, Condensed by Robert Graves, ed. M. P. Paine. New York: Harcourt, Brace, 1934.
  • I, Claudius. London: Arthur Barker, 1934; New York: Smith & Haas, 1934.
    • Sequel: Claudius the God and his Wife Messalina. London: Arthur Barker, 1934; New York: Smith & Haas, 1935.
  • Antigua, Penny, Puce. Deyá, Majorca/London: Seizin Press/Constable, 1936; New York: Random House, 1937.
  • Count Belisarius. London: Cassell, 1938: Random House, New York, 1938.
  • Sergeant Lamb of the Ninth. London: Methuen, 1940; as Sergeant Lamb's America. New York: Random House, 1940.
    • Sequel: Proceed, Sergeant Lamb. London: Methuen, 1941; New York: Random House, 1941.
  • The Story of Marie Powell: Wife to Mr. Milton. London: Cassell, 1943; as Wife to Mr Milton: The Story of Marie Powell. New York: Creative Age Press, 1944.
  • The Golden Fleece. London: Cassell, 1944; as Hercules, My Shipmate, New York: Creative Age Press, 1945.
  • King Jesus. New York: Creative Age Press, 1946; London: Cassell, 1946.
  • Watch the North Wind Rise. New York: Creative Age Press, 1949; as Seven Days in New Crete. London: Cassell, 1949.
  • The Islands of Unwisdom. New York: Doubleday, 1949; as The Isles of Unwisdom. London: Cassell, 1950.
  • Homer's Daughter. London: Cassell, 1955; New York: Doubleday, 1955.
  • Catacrok! Mostly Stories, Mostly Funny. London: Cassell, 1956.
  • They Hanged My Saintly Billy. London: Cassell, 1957; New York: Doubleday, 1957.
  • Collected Short Stories. Doubleday: New York, 1964; Cassell, London, 1965.
  • An Ancient Castle. London: Peter Owen, 1980.

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Famous quotes containing the word fiction:

    “The beginning of human knowledge is through the senses, and the fiction writer begins where human perception begins. He appeals through the senses, and you cannot appeal to the senses with abstractions.”
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