Robert Ellis Dunn - Philosophy

Philosophy

Dunn appreciated John Cage’s non-judgmental approach to teaching, and analyzed structure, form, method, and materials over praise or criticism of a work. Dunn pushed students to experiment with phrasing, technique, musicality, and logic in order to develop a new style of dance. Dunn also encouraged his students to create writing that defined the parameters of the dance. Movements were created out of improvisation, and many variables could change the movement. Timing was sometimes cued by the changing signal of a traffic light outside the studio window. The 1962 performance of these classes in the Judson Memorial Church marked a historic moment: the beginning of postmodern dance. Dunn’s experiments with music, movement, and surrounding elements greatly influenced many post-modern dancers including Steve Paxton, father of contact improvisation. Later in life, Dunn became interested in videodance, which he felt exposed dance to those who do not seek it out and gave the choreographer the ability to draw attention to certain details of a piece. While Dunn had distinct ideas regarding composition, he did not wish to define or codify a style of movement, and insisted on his work always being seen as an evolving process rather than proven theory

Read more about this topic:  Robert Ellis Dunn

Famous quotes containing the word philosophy:

    When a bachelor of philosophy from the Antilles refuses to apply for certification as a teacher on the grounds of his color I say that philosophy has never saved anyone. When someone else strives and strains to prove to me that black men are as intelligent as white men I say that intelligence has never saved anyone: and that is true, for, if philosophy and intelligence are invoked to proclaim the equality of men, they have also been employed to justify the extermination of men.
    Frantz Fanon (1925–1961)

    I would love to meet a philosopher like Nietzsche on a train or boat and to talk with him all night. Incidentally, I don’t consider his philosophy long-lived. It is not so much persuasive as full of bravura.
    Anton Pavlovich Chekhov (1860–1904)

    [The Settlement House] must be grounded in a philosophy whose foundation is on the solidarity of the human race, a philosophy which will not waver when the race happens to be represented by a drunken woman or an idiot boy.
    Jane Addams (1860–1935)