Design and Construction
Oceanic was built by Harland and Wolff in Belfast, and was launched on 27 August 1870, arriving in Liverpool for her maiden voyage on 26 February 1871. Powered by a combination of steam and sail, she had twelve boilers generating steam at 65 pounds-force per square inch (450 kPa), powered a single four cylinder compound steam engine, 2 x 78 inch (1.98 m) and 2 x 41 inch (1.04 m), with a stroke of 60 inches (1.52 m). A single funnel exhausted smoke and four masts carried sail. The hull was constructed of iron and divided into eleven watertight compartments. Passenger accommodations were located on the two decks concealed within the hull, as the Oceanic could carry 166 First Class passengers, referred to Saloon Passengers in those days and 1,000 Steerage Passengers, with a crew of 143. White Star had spared no expense in her construction, and the contemporary press described the ship as an "imperial yacht".
Innovative features included positioning the first class passenger cabins amidships, away from the vibration of engines and with the least ocean movement. Third class passengers were placed at the bow and stern of the ship. All first class could be seated at once in the first class dining saloon amidships. Portholes in the ship were much larger than on contemporary liners, providing more light. Running water was available for most if not all the first class cabins. There were also electric bells to summon a steward. As for the steerage accommodations, the White Star Line used Oceanic to create a trademark for themselves in reference to the treatment of steerage passengers. The White Star Line was among only a handful of Trans-Atlantic Passenger lines to segregate their steerage accommodations into two sections; berthing for Single Men was located in the Bow, while berthing for Single Women, Married Couples and Families were berthed in the Stern.
Read more about this topic: RMS Oceanic (1870)
Famous quotes containing the words design and/or construction:
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (18171862)
“Theres no art
To find the minds construction in the face:
He was a gentleman on whom I built
An absolute trust.”
—William Shakespeare (15641616)