History
While in Barla, Bediuzzaman put the treatise on Resurrection and the pieces that followed it together in the form of a collection and gave it the name of Sozler (The Words). The Words was followed by Mektûbat (Letters), a collection of thirty-three letters of varying lengths from Bediuzzaman to his students. And this was followed by Lem'alar (The Flashes Collection), and Sualar (The Rays), which was completed in 1949. Together with these are the three collections of Additional Letters, for each of Bediuzzaman's main places of exile, Barla Lahikasi, Kastamonu Lahikasi, and Emirdag Lahikasi. The way the Risale-i Nur was written and disseminated was unique, like the work itself. Bediuzzaman would dictate at speed to a scribe, who would write down the piece in question with equal speed; the actual writing was very quick. Bediuzzaman had no books for reference and the writing of religious works was of course forbidden. They were all written therefore in the mountains and out in the countryside. Handwritten copies were then made, these were secretly copied out in the houses of the Risale-i Nur 'students', as they were called, and passed from village to village, and then from town to town, until they spread throughout Turkey. Only in 1946 were Risale-i Nur students able to obtain duplicating machines, while it was not till 1956 that various parts were printed on modern presses in the new, Latin, script. The figure given for hand-written copies is 600,000. It may be seen from the above figure how the Risale-i Nur movement spread within Turkey, despite all efforts to stop it. After 1950, the period of what Bediuzzaman called 'the Third Said', there was a great increase in the number of students, particularly among the young and those who had been through the secular education system of the Republic. At the same time the number of students outside Turkey increased.
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