Culture
The state of Rio Grande do Sul is renowned as one of the most culturally rich states of Brazil. Rio Grande's music is a blend of many styles (most a continuum of rhythms found in neighboring countries), including the Chamamé, Milonga, Polca and Chacarera. Modern gaucho music or tchê music has been popular since the late 1980s. The inhabitants of the state are known in the country for drinking chimarrão, a local version of the mate drunk in neighbouring Uruguay and Argentina, and for consuming churrasco very regularly (a practice common due to the abundant sources of high quality meat), even going so far as considering this one of the most important elements of everyday life. Porto Alegre is home to Sport Club Internacional, and also to Gremio Foot-Ball Porto Alegrense. They are arch-rivals, one of the biggest rivalries in Brazil.
Each region of the state has its own cultural background. In the pampas (Southwest), the culture is still largely influenced by the old Gaúchos. Gaúcho is a term that can describe anyone born in the state of Rio Grande do Sul. However, it is also used to describe the 19th century rural workers of the region.
Other parts of the state have a slightly different culture, influenced mainly by German or Italian immigrants. After some generations, the descendants of immigrants were integrated in the local society, even though their cultural influences are still strong, mostly in the countryside. Albeit these differences, the Gaúcho people maintain a particular zeal for their culture and its variations.
Read more about this topic: Rio Grande Do Sul
Famous quotes containing the word culture:
“All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!”
—Camille Paglia (b. 1947)
“Letting a hundred flowers blossom and a hundred schools of thought contend is the policy for promoting the progress of the arts and the sciences and a flourishing culture in our land.”
—Mao Zedong (1893–1976)
“I am writing to resist the view that Europe and civilization are going to Hell. If I am being “crucified for an idea”Mthat is, the coherent idea around which my muddles accumulated—it is probably the idea that European culture ought to survive, that the best qualities of it ought to survive along with whatever cultures, in whatever universality. Against the propaganda of terror and the propaganda of luxury, have you a nice simple answer?”
—Ezra Pound (1885–1972)