Rio Grande Do Sul - Culture

Culture

The state of Rio Grande do Sul is renowned as one of the most culturally rich states of Brazil. Rio Grande's music is a blend of many styles (most a continuum of rhythms found in neighboring countries), including the Chamamé, Milonga, Polca and Chacarera. Modern gaucho music or tchê music has been popular since the late 1980s. The inhabitants of the state are known in the country for drinking chimarrão, a local version of the mate drunk in neighbouring Uruguay and Argentina, and for consuming churrasco very regularly (a practice common due to the abundant sources of high quality meat), even going so far as considering this one of the most important elements of everyday life. Porto Alegre is home to Sport Club Internacional, and also to Gremio Foot-Ball Porto Alegrense. They are arch-rivals, one of the biggest rivalries in Brazil.

Each region of the state has its own cultural background. In the pampas (Southwest), the culture is still largely influenced by the old Gaúchos. Gaúcho is a term that can describe anyone born in the state of Rio Grande do Sul. However, it is also used to describe the 19th century rural workers of the region.

Other parts of the state have a slightly different culture, influenced mainly by German or Italian immigrants. After some generations, the descendants of immigrants were integrated in the local society, even though their cultural influences are still strong, mostly in the countryside. Albeit these differences, the Gaúcho people maintain a particular zeal for their culture and its variations.

Read more about this topic:  Rio Grande Do Sul

Famous quotes containing the word culture:

    If you’re anxious for to shine in the high esthetic line as a man
    of culture rare,
    You must get up all the germs of the transcendental terms, and plant
    them everywhere.
    You must lie upon the daisies and discourse in novel phrases of your
    complicated state of mind,
    The meaning doesn’t matter if it’s only idle chatter of a
    transcendental kind.
    Sir William Schwenck Gilbert (1836–1911)

    Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.
    Lionel Trilling (1905–1975)

    Insolent youth rides, now, in the whirlwind. For those modern iconoclasts who are without culture possess, apparently, all the courage.
    Ellen Glasgow (1873–1945)