Publication History
Atlas Comics' Ringo Kid debuted in the first issue of a series billed on its trademarked cover logo as Ringo Kid for all but two issues (#1 and #3, cover-billed as Ringo Kid Western). Created by an unknown writer and artist Joe Maneely, it ran 21 issues (cover-dated Aug. 1954 - Sept. 1957), drawn primarily by either Maneely or Fred Kida. Stories also ran occasionally in Wild Western, beginning with issue #38 (Nov. 1954), initially drawn by Maneely, with artist John Severin taking the reins in at least issues #46-47 (Nov. 1955 - Jan. 1956). Ringo was the lead feature in the two-issue anthology series Western Trails #1-2 (May & July 1957). He also appears on the cover of Wild Western #39 (Dec. 1954), but not in an interior story.
A five-page story entitled "The Ringo Kid" in Atlas' Western Outlaws & Sheriffs #73 (June 1952) is unrelated, as is the four-page story "Ringo Kid" in Wild Western #26 (Feb. 1953).
Marvel reprinted the series in Ringo Kid vol. 2, #1-30 (Jan. 1970 - Nov. 1976), often with the original Maneely covers. The Ringo Kid made his first appearance in present-day stories in a time travel tale in the superhero-team comic The Avengers #142 (Dec. 1975)
Marvel writer Steve Englehart planned a revival series at about this time, with art by Dick Ayers: "Every series I did took off so Marvel kept giving me more. I relaunched this classic Western — always my favorite of Marvel's true cowboy heroes (as opposed to the Two-Gun Kid, whom I also liked but who was more a superhero) — with classic Western artist Dick Ayres . But after this first issue was drawn and scripted, Marvel decided to do more superheroes and fewer cowboys, so it was set aside before inking".
Read more about this topic: Ringo Kid
Famous quotes containing the words publication and/or history:
“I would rather have as my patron a host of anonymous citizens digging into their own pockets for the price of a book or a magazine than a small body of enlightened and responsible men administering public funds. I would rather chance my personal vision of truth striking home here and there in the chaos of publication that exists than attempt to filter it through a few sets of official, honorably public-spirited scruples.”
—John Updike (b. 1932)
“The history of work has been, in part, the history of the worker’s body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers’ intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.”
—Shoshana Zuboff (b. 1951)