Adaptation
In 2005, the book was adapted into a television movie for CBS in which Rosie O'Donnell appears as Beth, a woman with a intellectual disability, who is dependent on her father. When her father dies, her sister, played by Andie MacDowell, comes to stay with her. At first, they fight about Beth's rampant consumption of junk food, resulting in bringing her cholesterol levels up, but after six months Rachel realizes that Beth is content with her life.
Many aspects of the book were altered for the film. These include turning Rachel into a fashion photographer, eliminating an older sister and changing the name of the brother, and having the sisters' father die early in the story (whereas, in real life, he was still alive when the movie aired). The civil rights aspect of the story was also less explicit, the backstory was compressed, both characters were presented as more extreme than they are in the book, and several other characters were composites.
Rachel Simon has said of the movie: "It's a poignant, moving, and powerful film. It also portrays both characters, as well as the struggles of the special sibling relationship, in a more realistic way than we usually get to see in film, and presents bus drivers as the everyday heroes that I now know them to be. In addition, the movie highlights some of the main themes from my book: Beth's right to live her life by her own choices, the importance of public transportation for a fully independent life, the essential need for friendships in the community, and the challenges and rewards of the sibling bond."
O'Donnell's performance as Beth, has been both praised as "disturbingly accurate" and criticized as "over the top." It was directed by Anjelica Huston and filmed in Hamilton, Ontario, Canada.
Read more about this topic: Riding The Bus With My Sister
Famous quotes containing the word adaptation:
“Whatever there be of progress in life comes not through adaptation but through daring, through obeying the blind urge.”
—Henry Miller (1891–1980)
“The real security of Christianity is to be found in its benevolent morality, in its exquisite adaptation to the human heart, in the facility with which its scheme accommodates itself to the capacity of every human intellect, in the consolation which it bears to the house of mourning, in the light with which it brightens the great mystery of the grave.”
—Thomas Babington Macaulay (1800–1859)
“In youth the human body drew me and was the object of my secret and natural dreams. But body after body has taken away from me that sensual phosphorescence which my youth delighted in. Within me is no disturbing interplay now, but only the steady currents of adaptation and of sympathy.”
—Haniel Long (1888–1956)