Riding Lights is a British independent theatre company which has toured shows nationally and internationally since 1977. Based at Friargate Theatre, York since 2000, the company has staged numerous original productions such as "Science Friction" and "Dick Turpin", that have toured nationally. Other recent tours have included Mistero Buffo (2005), The Winter's Tale (2006) and a co-production with York Theatre Royal, African Snow played at York and the Trafalgar Studios in London before touring across the country. The play was a contribution to the national commemorations of the 200th anniversary of the abolition of slavery in the UK and took as its theme the stories of John Newton and Olaudah Equiano. In 2007 they toured a play looking at the Christian community of contemporary Bethlehem called Salaam Bethlehem. In 2008 they revived their production of Jerome K Jerome's Three Men in a Boat as a co-production with York Theatre Royal.
The company has a thriving Youth Theatre which has performed many well-received productions, including Headstrong and The Miracle as part of the BT Shell Connections National Theatre Competition, Free For All (a devised production) and a modern production of Julius Caesar.
Riding Lights are one of the co-producers of the historic York Mystery Plays which will be staged in York Museum Gardens between 2-27 August 2012. The Plays are directed by Paul Burbridge, Artistic Director of Riding Lights and Damian Cruden, Artistic Director of York Theatre Royal.
Famous quotes containing the words riding, lights, theatre and/or company:
“They’ll stone you when you’re riding in your car.
They’ll stone you when you’re playing your guitar.
Yes, but I would not feel so all alone,
Everybody must get stoned.”
—Bob Dylan [Robert Allen Zimmerman] (b. 1941)
“What is the disease which manifests itself in an inability to leave a party—any party at all—until it is all over and the lights are being put out?... I suppose that part of this mania for staying is due to a fear that, if I go, something good will happen and I’ll miss it. Somebody might do card tricks, or shoot somebody else.”
—Robert Benchley (1889–1945)
“The theatre is the involuntary reflex of the ideas of the crowd.”
—Sarah Bernhardt (1845–1923)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)