Origins
The modern rhyme is the best known of a number of verses beginning with the line "Ride a cock-horse to Banbury Cross", some of which are recorded earlier. These include a verse printed in Tommy Thumb's Pretty Song Book (c. 1744), with the lyrics:
Ride a cock-horse
To Banbury Cross,
To see what Tommy can buy;
A penny white loaf,
A penny white cake,
And a two-penny apple-pie.
A reference in 1725 to 'Now on Cock-horse does he ride' may allude to this or the more famous rhyme, and is the earliest indication we have that they existed. The earliest surviving version of the modern rhyme in Gammer Gurton's Garland or The Nursery Parnassus, printed in London in 1784, differs significantly from modern versions in that the subject is not a fine lady but "an old woman". The version printed in Tommy Thumb's Song Book in America in 1788, which may have been in the original (c. 1744) edition, has the "fine lady", but the next extant version, in The Tom Tit's Song Book (printed in London around 1790), had:
A ring on her finger,
A bonnet of straw,
The strangest old woman
That ever you saw.
Read more about this topic: Ride A Cock Horse To Banbury Cross
Famous quotes containing the word origins:
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)
“The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.”
—Lewis Mumford (1895–1990)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)